Joy Barlow

Filmes

Blackmail
Nevada
A private detective is offered a job protecting a rich business man from suspected blackmail. Before he can accept the case a murder is uncovered.
The Trespasser
Mary Lou Walters, newspaper secretary
Stevie Carson, a newspaper reporter, and Danny Butler, the "morgue" manager on the same newspaper, set out to track down the killer of a colleague, a book-reviewer who was involved with a group of rare book forgers and whose sister has been convinced her editor-fiance, Bill Monroe, killed him.
À Beira do Abismo
Taxi Driver (uncredited)
"À Beira do Abismo" é uma história do detetive particular Philip Marlowe, que é contratado por um rico general para descobrir e impedir que sua filha mais nova, Carmen, seja chantageada por suas dívidas de jogo. As coisas quase imediatamente se desvendam e explodem, enquanto Marlowe se vê profundamente emaranhado numa teia de triângulos amorosos, chantagem, assassinato, jogo e crime organizado. Marlowe, com a ajuda da filha mais velha do General, Vivian, habilmente trama para libertar a família desta teia.
Earl Carroll Vanities
Dancer
Broadway producer Earl Carroll was a Ziegfeld-like entrepreneur who staged lavish revues featuring attractive young ladies. Carroll's annual "Vanities" provided story material for three Hollywood films: Murder at the Vanities (34), A Night at Earl Carroll's (40) and Earl Carroll Vanities (45). This last film was produced by Republic Pictures, a bread-and-butter studio specializing in Westerns and serials; Republic had made musicals before, but few of them were expensive enough to allow for lavish production numbers. Earl Carroll Vanities is likewise rather threadbare, though some of the individual musical highlights aren't bad. The plot, such as it is, concerns financially strapped nightclub owner Eve Arden, who finagles Earl Carroll into staging one of his revues at her club.
Call of the Canyon
Concertinist (uncredited)
A radio saleswoman helps a singing cattleman trap a shady meat buyer with a bogus broadcast.