Production Manager
Two women, one house. An intimate story about a Pole and a German placed by war on enemy sides and their parallel lives accidentally brought together. The film reflects on the concepts of invaders, victim, guilt and forgiveness. It confronts different experiences and their paradoxical similarities. It deals with the controversial subject of the post-war accountings. The visual narration is flowing, guided by memories and archives. Traditional documentation confronts experimental use of archival footage in the cinematic impression about displacement.
Production Manager
Damian, a young boy raised by a single mother, believes that his father is a famous footballer playing for Glasgow Celtic F.C. His dream is to visit him. In his everyday life he has difficulty finding a common language with his mother who is trying to make a new life for herself with a younger man.
