Music
SIGNERS KOFFER is a kind of road movie across Europa. From the Swiss Alps to eastern Poland, from Stromboli to Iceland. Always following the scenery's magically charged contours. Immersing yourself, letting yourself be infected, then travelling on. Roman Signer determines the route that we are moving on and the film improvises along the way. Being on the road also means tracking down the right places. Signer brings them alive using his own personel instruments, brilliantly simple operations full of subtle humour. «Simple» poems being transmitted into space with INSTRUMENTS as gunpowder, fuse, rubber boots, balloons, stool, small table ... and a three wheelded Plaggio. SIGNERS KOFFER is also a journey through the state of mind. A tightrope walk between fun and melancholy. Danger also mental mental danger becomes the stimulus of the senses. Sudden crashes, abrupt chagnes of mood determine the rythm and atmosphere of this cinematic journey.
Music
Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.
Kick That Habit is a 1989 film by PETER LIECHTI, an audio-visual portrait of his native country, eastern Switzerland. The film collects samples from the land-and-soundscape, underscoring in the process the oft-ignored industrial underpinning of our latter-day culture. Also native to eastern Switzerland is VOICE CRACK, the everyday household electronics duo of NORBERT MOSLANG and ANDY GUHL, whose musical workings are explored as part of Liechti s vision. Whether clicking quietly and rhythmically or humming and shrieking at ear-splitting volume, their recycled electronics produce innovative sounds and provide an appropriate accompaniment in this cinematic search for the detritus of our culture, the lost and destroyed remains of the last century of progress.
