Carla Simón

Carla está grávida e nua, exatamente como nas fotos de sua mãe quando estava grávida dela. Uma jovem viaja dos anos 1960 até os dias de hoje, passando pelos anos 1980, cruzando os limites da feminilidade e da história, até encontrar Carla grávida sob o céu azul da costa catalã.

Carla está grávida e nua, exatamente como nas fotos de sua mãe quando estava grávida dela. Uma jovem viaja dos anos 1960 até os dias de hoje, passando pelos anos 1980, cruzando os limites da feminilidade e da história, até encontrar Carla grávida sob o céu azul da costa catalã.

Carla está grávida e nua, exatamente como nas fotos de sua mãe quando estava grávida dela. Uma jovem viaja dos anos 1960 até os dias de hoje, passando pelos anos 1980, cruzando os limites da feminilidade e da história, até encontrar Carla grávida sob o céu azul da costa catalã.

A vida de uma família que cultiva pêssegos em uma pequena vila na Catalunha muda quando o proprietário de sua grande propriedade morre e seu herdeiro decide vender a terra, ameaçando de repente seu sustento.

A vida de uma família que cultiva pêssegos em uma pequena vila na Catalunha muda quando o proprietário de sua grande propriedade morre e seu herdeiro decide vender a terra, ameaçando de repente seu sustento.

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

In the form of a filmed epistolary conversation, two young, experienced filmmakers discuss film, present and past family, heritage and maternity. The personal and profound reflections—which are embodied in the graceful images taken day-to-day—are suddenly echoed by the political emergency of a country.

Edu is dancing in a bar when Alex comes looking for him. He has some news that will have a profound effect on Edu.

Edu is dancing in a bar when Alex comes looking for him. He has some news that will have a profound effect on Edu.

Após a morte de sua mãe, a pequena Frida, de 6 anos, deixa Barcelona para passar o primeiro verão com seus tios no campo. Eles agora são sua nova família. Baseado numa história real, o filme de Carla Simón é o indicado da Espanha para concorrer ao Oscar de melhor filme estrangeiro em 2018.

Após a morte de sua mãe, a pequena Frida, de 6 anos, deixa Barcelona para passar o primeiro verão com seus tios no campo. Eles agora são sua nova família. Baseado numa história real, o filme de Carla Simón é o indicado da Espanha para concorrer ao Oscar de melhor filme estrangeiro em 2018.

Anita is the story of a complex and interdependent relationship between a mother and daughter. They have difficulties living together and have never been able to express their love for each other. Joana has dwarfism, and Maria, a beautiful, elegant and sophisticated woman, has never accepted her daughter's condition. The silenced taboos between the two women will echo more than ever when they get the house ready for Juan's visit, the son and brother who lives far away.

Anita is the story of a complex and interdependent relationship between a mother and daughter. They have difficulties living together and have never been able to express their love for each other. Joana has dwarfism, and Maria, a beautiful, elegant and sophisticated woman, has never accepted her daughter's condition. The silenced taboos between the two women will echo more than ever when they get the house ready for Juan's visit, the son and brother who lives far away.

Lacuna is an experimental short film that recuperates Neus Pipó character, the director’s mother, combining the reading of her letters, with a trip through the places where she wrote them.

Lacuna is an experimental short film that recuperates Neus Pipó character, the director’s mother, combining the reading of her letters, with a trip through the places where she wrote them.

Lacuna is an experimental short film that recuperates Neus Pipó character, the director’s mother, combining the reading of her letters, with a trip through the places where she wrote them.

Lacuna is an experimental short film that recuperates Neus Pipó character, the director’s mother, combining the reading of her letters, with a trip through the places where she wrote them.

Lacuna is an experimental short film that recuperates Neus Pipó character, the director’s mother, combining the reading of her letters, with a trip through the places where she wrote them.

Lacuna is an experimental short film that recuperates Neus Pipó character, the director’s mother, combining the reading of her letters, with a trip through the places where she wrote them.

Sophia and Oliver are two little siblings who enjoy playing at their grandma's place while she sleeps. However, their games get interrupted when Oliver realizes that grandma is not moving anymore. Sophia and Oliver encounter death for the first time and have to deal with it on their own.

Sophia and Oliver are two little siblings who enjoy playing at their grandma's place while she sleeps. However, their games get interrupted when Oliver realizes that grandma is not moving anymore. Sophia and Oliver encounter death for the first time and have to deal with it on their own.

A reunion between a mother and her pregnant daughter, who need a moment to recognize themselves and to understand that they will live together again in a new situation for both of them. An exercise made by the author during her second trimester at the London Film School, inspired by the painting "La Coiffure" by Edgar Degas.

A reunion between a mother and her pregnant daughter, who need a moment to recognize themselves and to understand that they will live together again in a new situation for both of them. An exercise made by the author during her second trimester at the London Film School, inspired by the painting "La Coiffure" by Edgar Degas.

A reunion between a mother and her pregnant daughter, who need a moment to recognize themselves and to understand that they will live together again in a new situation for both of them. An exercise made by the author during her second trimester at the London Film School, inspired by the painting "La Coiffure" by Edgar Degas.

A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.

A station. A boy. A girl. The same book. An exchange of looks and movements that tends to a loving dream with an unexpected ending. A 16 mm black and white exercise made by the author during her first trimester at the London Film School.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.

The bodies of women lying on the ground weave relationships around them, they breastfeed, they connect with the ground ... Carla Simón's first short, shot on 16 mm in the Californian forests. An experimental exercise that connects with the cinematographic avant-gardes of the early twentieth century.