Daniela Abad Lombana
História
Co-director of the documentary “Carta a una sombra” (2015) winner of two India Catalina awards and based in the novel by Hector Abad Faciolince “El olvido que seremos”. Her second movie, The smiling Lombana, was the opener of the FICCI 2018. She has been the director of the short films “Das ist kunst” (2016) and “Our Father” (2015) and producer of the documentary “Corte de hombre” (2017) directed by Manuel Villa. In 2018, she founded with Laura Mora, Mirlanda Torres, Pablo Mora and Manuela Villa the production company La Selva Cine; at this same year she won the FDC´s grant for short film production to make her most recent work “La Cama”.
Associate Producer
Cinco amigos deixam as ruas de Medellín e embarcam em uma jornada perigosa pela Colômbia para recuperar um terreno deixado pela avó de um deles.
Writer
Alan and Adriana are taking everything from their home, to let it empty. They try to take out a double bed from their room and it gets stuck between them, pull them apart and block the view. As they can´t see each other, they find the possibility to talk and give each other reasons why they are stopping living together.
Director
Alan and Adriana are taking everything from their home, to let it empty. They try to take out a double bed from their room and it gets stuck between them, pull them apart and block the view. As they can´t see each other, they find the possibility to talk and give each other reasons why they are stopping living together.
Conta a história do médico sanitarista e professor universitário colombiano Héctor Abad Gómez (1921-87), com roteiro baseado no livro escrito por seu filho Héctor Abad
Producer
What seems to be the story of a promising young artist, Tito Lombana, and that of his romance with an intelligent and liberal Italian, begins to dress in shadows. Why the most famous work of Lombana, "The old shoes" (in Cartagena), is not accredited to his name? What is the reason for the taboo that covers it in your own family? The granddaughter of the artist explores the life of his grandfather without sparing himself uncomfortable questions. Through the testimonies of his wife, his family and the people who knew him, the character reveals his folds... From FICCI
Director
What seems to be the story of a promising young artist, Tito Lombana, and that of his romance with an intelligent and liberal Italian, begins to dress in shadows. Why the most famous work of Lombana, "The old shoes" (in Cartagena), is not accredited to his name? What is the reason for the taboo that covers it in your own family? The granddaughter of the artist explores the life of his grandfather without sparing himself uncomfortable questions. Through the testimonies of his wife, his family and the people who knew him, the character reveals his folds... From FICCI
Producer
When I was a little boy I saw the FIFA World Cup USA 49 with my father. I used to live in a conservative town, and I had my hair cut as the Roberto Baggio´s, the italian player. My father cutted my hair yelling: Cut you hair as a men! This documentary is the search, still without an answer, about what is a men's hair cut in Colombia.
Writer
In August 1987, Héctor Abad Gómez was murdered on the streets of downtown Medellín during the darkest moments of the dirty war against the Colombian left. Why was he killed? Who could have had a vested interest in silencing a university professor, human rights activist and doctor who was a precursor of the concept of "public health" in Colombia?
Executive Producer
In August 1987, Héctor Abad Gómez was murdered on the streets of downtown Medellín during the darkest moments of the dirty war against the Colombian left. Why was he killed? Who could have had a vested interest in silencing a university professor, human rights activist and doctor who was a precursor of the concept of "public health" in Colombia?
Director
In August 1987, Héctor Abad Gómez was murdered on the streets of downtown Medellín during the darkest moments of the dirty war against the Colombian left. Why was he killed? Who could have had a vested interest in silencing a university professor, human rights activist and doctor who was a precursor of the concept of "public health" in Colombia?
Writer
It is the year of grace of 1950. Ignacio (11) is celebrating his First Communion, a step that, according to catholics, puts him closer to God and opens up a space for him in the believers community. Communion implies, he will have enough grace to go to Paradise one day. It is also the day he is declared as a “conscious” person. However, from long time before, his tutor, sister Josefa, and the priest of the church, have said terrible things about his dead father, a communist that by now, as they say, should be burning in hell’s fire.
Producer
It is the year of grace of 1950. Ignacio (11) is celebrating his First Communion, a step that, according to catholics, puts him closer to God and opens up a space for him in the believers community. Communion implies, he will have enough grace to go to Paradise one day. It is also the day he is declared as a “conscious” person. However, from long time before, his tutor, sister Josefa, and the priest of the church, have said terrible things about his dead father, a communist that by now, as they say, should be burning in hell’s fire.
Director
It is the year of grace of 1950. Ignacio (11) is celebrating his First Communion, a step that, according to catholics, puts him closer to God and opens up a space for him in the believers community. Communion implies, he will have enough grace to go to Paradise one day. It is also the day he is declared as a “conscious” person. However, from long time before, his tutor, sister Josefa, and the priest of the church, have said terrible things about his dead father, a communist that by now, as they say, should be burning in hell’s fire.
