Fabian Gamper

Basilio lives in an abandoned villa in Sicily with his mysterious elderly mentor Casimir who is to help him find true poetry. In this villa, he tries to translate the symbols of his inner world into music. One day, Basilio meets equally strange Karla whose life already seems mysteriously intertwined with his. The symbolism of the world around them leads to an unexpected discovery.

Rammstein’s video for “Zeit,” the title track for their upcoming album, is the typically surrealistic and sensational kind of clip people expect from the German industro-metal group. There are shots of people drowning, scary wraith-like figures menacing kids in a fight, and the band members delivering babies as the sands of time surround them — all in reverse. It’s a visual feast, courtesy of director Robert Gwisdek, for an epic ballad in the group’s signature style, as frontman Till Lindemann sings in German about wishing time to stand still.

Five young German women organise a holiday at Lake Garda, with the apparent wish to celebrate their adolescence and bring back to life those little rituals that have consolidated their friendship. Despite the genuineness of their intention, the experience gradually turns out to be catastrophic.

Elli é uma androide e mora com um homem a quem chama de pai. Durante o dia, os dois nadam na piscina e à noite ele a coloca na cama. Ela compartilha suas memórias e qualquer outra coisa que o homem a programe para lembrar. Memórias que significam tudo para ele, mas que não dizem nada para ela. No entanto, durante uma noite, Elli sai rumo à floresta seguindo um eco que se desvanece. Essa é a história de uma máquina e os fantasmas que todos carregamos dentro de nós.

Up on the Horse Pass, in the mist-shrouded mountains, a few cowboys are raided by the men of a notorious bandit named Black Wolf. The reckless Aaron ballsy routs the robbers – but the same night he pays for it with his life. His quiet, reserved brother Jonah swears revenge. It is his chance to step out of his brother’s shadow and finally show his manfulness to his father. But the Black Wolf seems to be one size too big…

How can structures, which take up defined, rigid portions of space, make us feel transcendence? How can chapels turn into places of introspection? How can walls grant boundless freedom? Driven by intense childhood impressions, director Christoph Schaub visits extraordinary churches, both ancient and futuristic, and discovers works of art that take him up to the skies and all the way down to the bottom of the ocean. With the help of architects Peter Zumthor, Peter Märkli, and Álvaro Siza Vieira, artists James Turrell and Cristina Iglesias, and drummer Sergé “Jojo” Mayer, he tries to make sense of the world and decipher our spiritual experiences using the seemingly abstract concepts of light, time, rhythm, sound, and shape. The superb cinematography turns this contemplative search into a multi-sensory experience.

A public pool, a sociotope. A scene of daydreaming and gentle snoozing. It is a place where everything is fine, or at least it feels like it. The smell of summer is in the air. In the tightest of spaces many half-naked people share an afternoon, some hours with each other while time flies by so quickly. The madness of everyday life.

Luca is a strong-willed, soulful seven-year-old. After a two-year separation, her parents take her on a trip to pack up and sell their vacation home on a quiet island in the Aegean. Once there, her parents’ romantic connection is reignited. This newfound intimacy unsettles the family dynamic, as Luca suddenly ceases to be the center of attention. With childish cleverness and determination, she plays her parents against each other, intent on keeping her place as the center of their worlds.