Andrés Farías

The lives of three strangers in Santo Domingo, a girl from high society, a lonesome alcoholic cop and a drag queen cabaret performer; interwine on the eve of a hurricane fallowing the murder of a young poet and drug dealer

The lives of three strangers in Santo Domingo, a girl from high society, a lonesome alcoholic cop and a drag queen cabaret performer; interwine on the eve of a hurricane fallowing the murder of a young poet and drug dealer

Alberto, um jardineiro evangélico, retorna à sua cidade natal para o funeral de seu pai, morto por um homem influente. Para chorar o falecido, ele é obrigado a participar de celebrações religiosas contrárias à sua vontade e crenças.

Under the threat of a hurricane pending over the city, Lubrini is looking for his lover, who disappeared in the streets of Havana.

It’s special retrospective night in the Cine Caribe with CLAUDIA (50), the film’s actress. AVELINO (55), the projectionist, worked with her twenty years ago. He goes to meet Claudia in hopes to remember old times and as a present, brings with him a fragment of the film. Not remembering Avelino she takes him for an admirer and autographs the celluloid. Avelino’s boss fires him for stealing part of the film and Avelino realizes time has passed and he hasn’t achieved anything. Along with MARCEL (22), his disciple, he films and inserts himself into the movie to relive his past, but the projection ends and Avelino has to face reality.

Romelia tells the melodrama of his own story of heartbreak through the interpretation of the main characters who were part of her love story. Soon fiction and reality collide, blurring the boundaries between reality and fiction.

Honey Pot is a Video-installation that uses the image as a critical vehicle that puts into question the path we have chosen as a insular caribbean society in the twenty-first century, through the juxtaposition of fragmented images of the city, the countryside and the individual.