Anne Carter

A middle-aged writer and muse to a successful female photographer begins to question his role in her life – and, thus, his own.

Frankie and Charlie have moved to a tiny house. They regret it. It’s Christmas Eve. Frankie is miserable. Charlie’s organised a festive family lunch. Then Charlie finds a disoriented cockatiel by the river. She tucks him into a box and brings him inside. Little do they know – this bird has its own agenda. Nobody seems to notice something strange has started falling from the sky.

A documentary about a recovering alcoholic and addict – especially one whose story we're already broadly familiar with – doesn't sound like a great night's entertainment. But this compact and moving film made by Fiona O'Loughlin's mate, Sam Petersen, is not just thoughtful, it's also often very funny. Petersen follows O'Loughlin from the time she leaves rehab in 2016 (she spent seven days in a coma following an epic binge) to her return to the Melbourne Comedy Festival in 2018 – including a relapse that put her back in hospital again. As you might expect, many gags are cracked. Truths are told. But this is also an exploration of the way the live-comedy scene is a natural home to excess, and the dangers of the misguided but entrenched association between creativity, and drugs and alcohol. Source: The Age newspaper (https://www.theage.com.au/culture/tv-and-radio/twisting-british-thriller-is-the-stuff-of-any-parent-s-nightmares-and-it-s-really-really-good-20200504-p54po9.html)

Two Elders feel that their grandson is old enough to start learning important lessons about his Country. But is he ready for the challenge?

A young artist feels overshadowed by a charismatic and dangerous girl she's never met. Her life changes when she decides to follow in her nemesis's footsteps.

To the Australian media Kenja is a 'secretive cult', their leader described in Parliament as a 'seedy conman'. Despite preparing to fight yet another court case Ken Dyers and Jan Hamilton allow a film crew unprecedented access to the 'spiritual evolvement centre' they founded in 1982. How can the view from inside Kenja be so different to the one outside? Through remarkable verite footage and candid interviews, Beyond Our Ken explores the anatomy and ambiguity of the 'cult' enigma.

Selling compost brings a boy inventor (Justin Rosniak) and his widowed mother (Gosia Dobrowolska) into conflict with their neighbor.