A bilingual documentary essay about the construction and illusions of American identity from an intimate, biographical and anecdotal perspective." I was born in New York City, a Jew from Queens, raised in the 1970s and 80s, the child of another New York Jew born in 1919, the child of immigrants from the Ukraine. When I became a father myself, I was gripped by the need to share this inheritance of identity with my daughters. But my daughters were born in Buenos Aires where I have been living since 2002.” Richard Shpuntoff
Rina Keffler
Em um vilarejo uruguaio em plena ditatura, Milo (Roberto Suárez) e Esnal (César Troncoso) são dois amigos inconformados e criativos que resolvem se rebelar contra as regras rígidas instauradas pelo novo coronel local sequestrando seu bem mais precioso: uma coleção de anões de jardim. A ação não é executada com perfeição e Milo acaba capturado pelos militares, o que leva sua família à derrocada e Esnal a se tornar recluso. Reanimado pelas filhas do amigo, no entanto, ele deixa a solidão de seu quartinho com um plano mirabolante.
Cristina
An ambitious Colombian actress living in Buenos Aires juggles a day job with theater rehearsals and casting calls as she struggles to fulfill her dreams. An opportunity arises when she meets Lalo, a successful producer that shows her a glimpse into another life and she is suddenly willing to give up everything she has for a chance at success.
Magdalena
Olga, Teresa and Pilar have been friends since they were born. For years they vacationed together with their parents, and later together on their own. A few years ago, Teresa got married, and for some years they didn't see each other as much. Teresa's divorce prompts a reunion, so the three of them rent a small house for the weekend. In their first day together, it becomes obvious that everything they share is in their past. They have grown apart.
Cosmetóloga
13-year-old Rafael Bregman prepares for his bar mitzvah in the Jewish community of Montevideo, Uruguay.
Notera
Three old man, a little boy training to protect an old patrimony, La "33", the last train.
