Jean-François Rauger

Who was Joe D’amato- Aristide Massaccesi under his civil status? A genius of horror in the USA, a master of eroticism in France, the king of porn in Italy. A man with a thousand pseudonyms capable of making over 200 films while simultaneously holding the roles of producer, director, author, director of photography and even camera operator. An artisan of cinema as he liked to call himself, capable of working on all film genres. From spaghetti western to post-atomic, decamerotic to glossy eroticism, and blockbuster porn to bloody horror. Guided by the aesthetics of extremes and supported by an undeniable technical ability, Joe D’Amato pushed himself, and the viewer, beyond all limits following with dedication three rigid principles that have become his stylistic code: Amaze, Shock, Scandalize.

Mysteries, hidden defects, scandals or family secrets? Nothing like that in the life of the filmmaker Claude Chabrol. Just a lifestyle of a Buddha gourmand, a sneaky anarchist, an insolent lover of life. There is a question though… How was he able to make 58 movies in 50 years? This is the story about his outstanding life, told by Cécile, his adopted daughter and also his collaborator for many years.

Jean-Claude Brisseau receives a film crew and some friends at his home to talk about cinema, childhood, time passing by…

Five, even six, variations on a theme, commentary and interpretation of the same photograph. An exercise to tell and summarize the history of the Cinémathèque française.

One of the most controversial, original and loved figures of Italian cinema. The most censored director of all time. An anarchist of the film, a gifted experimenter, an inventor of dreams. A truly great artist.

A figura central da trama é o Açogueiro, saído do curta-metragem "Carne", também do diretor Gaspar Noé. Essa criatura violenta, petrificada, fica vagando por labirintos obsessivos repletos de recalques, ódio contra estrangeiros e homossexuais, com a sempre onipresente figura da filha que ele deseja de maneira doentia.

Blond Storm and Black Tempest, two female super-hero wrestlers, found a rock band to fight the Marquis de Slime, an ancient demon, in a gothic and magical Paris.

A documentary about the first century of pornographic cinema, including extracts from pornograhic films and animated movies. In order to show the evolution of this genre, the film is divided in several parts: "Une préhistoire clandestine" ('a clandestine prehistory'), "Le temps de la libération" ('freedom time'), "L'age d'or du X" ('heyday of porno'), "L'explosion de la vidéo" ('the multiplication of videos') and "Les nouvelles tendances" ('the new tendancies').