Princess tells the true story of former cabaret dancer Anna Lappalainen's redemptive struggle with insanity, who checked in to Finland's Kellokoski Psychiatric Hospital in 1945.
Middle-aged Late is building a fence in his family home for a summer break, but he falls in love with his daughter's new friend, 16-year old flirtatious Saija.
When her sister is mugged and raped, Oili, a young female forensic dentist, meets a group of abused women who have taken matters to their own hands to make the living in fear and just letting it happen stop.
This droll tale of longing and awkward romance follows two misfits - a coffee addict and a vodka-soaked mechanic - as they hit the road in their Soviet-built Volga. Along the way they manage to pick up two women, the Estonian Tatjana and the buxom Russian Klavdia, despite sharing no common language and being completely clueless as to what to do with them next.
Like it or not, almost anyone who has met a really serious poet finds that they have something about them which sets them apart from other people. It's not just a romantic legend. In wry but basically directionless Finnish movie, Paavo Pentikainen plays one of these ungainly beings, a man whose last published work is decades in the past, who probably hasn't written anything in years, but who still has an uncanny knack for precise observation, "pinning the tail on the donkey" almost every time. In the movie, the poet, accompanied by his young assistant, takes a minor celebrity's swaggering tour of small cultural centers and retirement homes.
Directed by Matti Ijäs and written with Arto Meller, Räpsy & Dolly aka Paris Waits (1990) is a tragicomic love story of a petty criminal and a former cabaret dancer. Detective Karisto (Kari Väänänen) releases Auno "Räpsy" Pirilä (Matti Pellonpää) from prison, who in turn has to calve his childhood friend Börje (Pertti Sveholm) from criminal activities. Alcoholic Dolly (Raija Paalanen) takes Räpsy to live in Kallio, Helsinki, and hopes to move to Paris with her in the spring.
