Eric Murray Lui

Filmes

We Are Still Here
Cinematography
In a sweeping tale that spans 1000 years and multiple generations – from the distant past to the 19th century, the present day and a strange, dystopian future – this landmark collection traces the collective histories of Indigenous peoples across Australia, New Zealand and the South Pacific. Diverse in perspective, content and form, traversing the terrain of grief, love and dispossession, they each bear witness to these cultures’ ongoing struggles against patriarchy, colonialism and racism.
Looky Looky Here Comes Cooky
Cinematography
A new songline for 21st century Australia - a fresh look at the Cook legend from a First Nations' perspective - the songline tells of connection to country, resistance and survival and features the cheeky, acerbic and heartfelt showman - Steven Oliver and a host of outstanding, political Indigenous singer/songwriters.
Doug the Human
Cinematography
An alien kidnaps a man (Gabriel Willie) and turns him into his pet.
Shed
Director of Photography
An Aboriginal girl held captive and at the mercy of the station’s stockmen makes an unlikely friend and finds the courage to set herself free.
Ties That Bind
Cinematography
Delivered home by police, 17 year-old Thomas has to front his domineering mother Marlene who isn’t interested in his side of the story. Forced outside as punishment, Thomas is left with hurt and frustrations, until neighbourly sounds enter his conscious world echoing a connection to the present and the past, Thomas is triggered to make a life changing decision.
Casamento Australiano
Director of Photography
Lauren e Ned estão noivos, estão apaixonados e têm apenas dez dias para encontrar a mãe de Lauren, que sumiu em algum lugar no remoto extremo norte da Austrália, reunir os pais e realizar o casamento dos sonhos.
Ward One
Cinematography
An Old Fella teaches a Young Fella there are more ways than one to heal the spirit.
Nulla Nulla
Director of Photography
Fresh out of the academy, White Cop experiences his first taste of Aboriginal community life, as Black Cop puts him to the test.
Prime Mover
Second Unit Director of Photography
A long haul truckie who finds that the reality of his existence is far removed from his youthful dreams of owning and driving his own prime mover.
Green Bush
Cinematography
An Australian Aboriginal DJ realizes that his job at the country radio station is about more than just playing music.
Harvey
Cinematography
Grace
Director of Photography
Grace lives a comfortable life in a nice house. It’s a far cry from the mission which she fled years ago. When she returns for a funeral, she’s faced with unfamiliar family and a forgotten past.