Claire Boyer

Filmes

Sacré Georges
The Lady of Colours
Editor
In Quebec 40s, orphans or abandoned children are placed in a gigantic psychiatric hospital where children were locked. Were they sick? No, they simply had no family. To escape this oppressive universe, they created a parallel world: the institution's basement where, in a maze of tunnels, they founded an independent company, with its rituals, spells. A young girl, Agnes, reigns over this underground world that adults seem to tolerate.
People of Abitibi
Editor
After 'A kingdom awaits you' and 'The return to the earth', the filmmaker Pierre Perrault concludes, with this documentary feature, his plea for the Abitibi region. The film gives the floor to Hauris Lalancette, farmer, colorful character, who has been fighting for almost half a century to save his kingdom in the Abitibi.
C'était un Québécois en Bretagne, Madame!
Editor
Feature-length documentary on Hauris Lalancette, a Quebecer from Abitibi, who travels and draws surprising parallels between two corners of the country that are considered destitute and left behind. It is also about the search for ancestors and the nostalgia for old jobs that were better, both on the human level and on the technical level.
Back to the Land
Editor
Feature-length documentary as part of Pierre Perrault's Abitibian Cycle. The filmmaker questions the past and present of Abitibi and draws up, face to face, the promises of colonization in the 1930s and the great disappointment caused by the closing of the land in the 1970s. There are witnesses to the heroic era, including the cultivator Hauris Lalancette, as well as extracts from films by Father Maurice Proulx (1934-1940).
Cap d'espoir
Editor
They Called Us
Editor
The history of the roles of women in Quebec society, beginning with the women shipped from France to the New World by the King to populate the colony with the men already there, and ending with the modern career woman.
Souris, tu m'inquiètes
Editor
Le bonhomme
Editor
Meu Tio Antoine
Editor
O evocativo retrato de Claude Jutra da transição para a vida adulta de um menino na invernal Quebec dos anos 1940 tem sido constantemente citado pelos críticos e estudiosos como o maior filme canadense de todos os tempos. Meu Tio Antoine acompanha Benoît, que se defronta pela primeira vez com o amedrontador binômio sexo e morte, e seus conterrâneos, que vivem sob o domínio do proprietário da mina de amianto local.
J'me marie, j'me marie pas
Editor