Irasema Dilián

Fishing captain suspects his wife of infidelity and runs her off. He sours on female companionship, but he gradually warms to the company of his village's new schoolteacher. Meanwhile...

Torn between three lovers and bored by her typewriting classes, Carolina (Dillian) writes a passionate love letter to fictional Pablo Garza from Monterrey. The letter is sent by mistake and received by real Pablo Garza's girlfriend. Pablo himself (Infante) flies to Mexico City looking for an explanation. Carolina is rehearsing a musical show for her school dressed as a man. When Pablo meets her, she pretends to be her brother Anibal, a shy and feminine sailor. Pablo likes Anibal and invites "him" to a cabaret. After that, Carolina falls inlove with Pablo but resists to unveil her real self. Meanwhile, Pablo feels himself confused, because young "Anibal" is cute as an angel and has "those blue eyes..."

Don Juan-type manipulates his roommate into helping him mount ridiculous schemes to get next to a girl he has his eye on.

Four anecdotes involving a mink coat in display in a shop window.

Gone several years, the brooding Alejandro returns to the hacienda of his foster sister, Catalina, whom he loves, to find her married to the wealthy and effete Eduardo.

Cultural differences cause tensions in an international marriage.

Governess falls in love with the uncle of the children she's teaching. Then complications.

A writer is given custody of his editor's daughter after she is orphaned. Once she grows up, they become romantically involved.

A stranded ship. A man and two boys go to its rescue - uncle Arturo and his two nephews. The ship is empty, except for a little girl - the only survivor.

Gangster-y club-owner vs. chorus girl. Blackmail, murder...

A young woman loses her mind when she finds out that her uncle and his boyfriend met in a train accident.

Orphan Manuela's passionate crush on her teacher Lucila scandalizes their all-girl Catholic school.

By taking the defense of Raymond Denis, accused of having killed his mistress, when she committed suicide because he did not want to recognize his child, the lawyer Claude Nogent, learns that he himself was born of unknown father.

Madrid, early twentieth century. Julieta and Alberto are a couple who have been married for several years, but who are still as much in love as the first day. He is the half-orange she always wanted, and their bond of union is growing stronger. One day, Alberto, in the fear of losing her, decides to start writing to his beloved several letters of love under the pseudonym of 'Count of Rocambole'. The intention is to be more relaxed when trying the love and fidelity of Juliet. The problems start when she begins to fall in love little by little with that foreigner who claims to be mad about her.

An artist of variety, known in art with the name of Bebè, is a charlatan in Cannes, in a company with Zallos, a shady type.

Women Without Names (Italian:Donne senza nome) is 1950 Italian drama film directed by Géza von Radványi and starring Simone Simon, Vivi Gioi and Françoise Rosay.[1] It is set in a displaced persons camp after the Second World War. It was made at Cinecittà in Rome.

Good-natured and devout, a French house painter takes the train to Rome, where he has decided to go on a pilgrimage. There he meets a scatterbrained dresser who has been assigned by a music hall star to bring her the gown she is to wear on stage. The two men get stolen by Cleo, a charming thief. Once in Rome, the painter finds himself penniless and the dresser without the gown...

A peasant leader under the enlightened despotism of Empress Catherine the Great, and a love story.

An evil Czarist landowner had mistreated the father and friends of an officer.The officer wreaks vengeance by committing masked coach robberies and insinuates himself into his enemy's castle by pretending to be a French teacher.

An Italian comedy from 1943.

A nineteenth-century Italian noblewoman, imprisoned in a foreboding lakeside palazzo by her uncle, comes to believe she's possessed by a long ago mistress of the manor.

A comedy of errors in which the sweetly incompetent Dr. Pietro Vignali (de Sica) has been run deep into debt by his girlfriend, Loletta Prima (Magnani). After his creditors threaten to sell his belongings, he takes a job as an orphanage health inspector to pay his debts and ends up engaged to wealthy Lilli, daughter of a mattress tycoon, and chased after by the orphan Teresa Venerdí, while trying to keep his life in order.

A young woman teaches commercial writing and makes her students practice by writing letters addressed to an imaginary recipient from Vienna. One day, the love letter the woman writes to this non-existent man is accidentally sent by one of her students –and falls into the hands of a real person.