David Martín

Filmes

Fallas 37: el arte en guerra
Editor
In November 1936, a few months since the beginning of the Spanish Civil War, the government of the Second Republic moves to Valencia. In this situation, several Valencian artists and intellectuals decide to build four fallas — satirical plasterboard sculptures created to be burnt — to mock fascism.
Celuloide colectivo: el cine en guerra
Editor
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
Celuloide colectivo: el cine en guerra
Writer
July, 1936. The terrible Spanish Civil War begins. When the streets are taken by the working class, the social revolution begins as well. The public shows are socialized, a model of production and exhibition of films, never seen before in the history of cinema, is created, where the workers are the owners and managers of the industry, through the unions.
Conto de Natal
Editor
O filme, baseado num conto de Charles Dickens, conta a estória de Ebneezer Scrooge (Patrick Stewart), um homem muito rico, mas dominado pela avareza, pelo egoísmo e pela amargura, que na véspera do Natal é visitado pelo espírito de seu ex-sócio que vem alertá-lo quanto à necessidade da mudança de atitude. Não se deixando tocar pelo aviso, Scrooge recebe a visita de três espíritos: O do Natal passado, o do Natal presente e o do Natal futuro, ele tem então a oportunidade de refletir sobre seu passado e sobre como suas atitudes afetaram outras pessoas.
Dream Demon
Editor
As her marriage to decorated war hero Oliver draws near, well-heeled Diana moves into an apartment within an otherwise unoccupied, sprawling London house where she starts to experience strange and terrifying nightmares. But are these troubling night terrors merely the symptom of an unsettled mind, or the sign of something far more sinister at work? Hounded by a pair of sleazy journalists, Diana soon crosses paths with American tourist Jenny, who appears to have a strange connection to the foreboding house and its dark past.