John Badalu

Filmes

Everyday Is a Lullaby
Producer
Rektra was once recognized as the most promising and best screenwriter, winning continued success. He could work wherever he wanted to work at any time. However, as time goes by, both his talent and passion for the film seem to fade. He starts to think that making a sensual low-budget horror movie would benefit his life better. In order to overcome the slump, he tries to create an immortal masterpiece of his life inspired by his girlfriend who is an actress. Through her, he meets another woman who has no soul, and continues conversation without sense of time passing by. In the process of getting to know her, he realizes his ultimate passion is ignited
Soil Without Land
Co-Producer
A drone shot flies over a ridge road that snakes along an ambiguous territory, the green softness of the curves whispering the muffled echoes of conflict. In the voice-over, Jai Sang Lod recounts how in 2001 he arrived in a displacement camp at the Thai border with his family, fleeing the fighting between the Burmese army and the Shan minority, and had to join the Shan State Army to do his compulsory military service.
Leitis in Waiting
Thanks
The story of Joey Mataele and the Tonga Leitis, an intrepid group of transgender women fighting a rising tide of religious fundamentalism and intolerance in the South Pacific Kingdom.
Malila: The Farewell Flower
Producer
Pich and Shane, who once were lovers, are trying to heal the pain of their lives by reviving their old romance through the making the traditional Thai ornament made of the leaves and flowers that symbolize love and virtue. When Shane finds out that Pich is dying, he decides to become a monk.
Queer Artivism
Himself
An insight into 5 queer film festivals accompanied with the discussion about the importance of queer film festivals, queer film and people's experience with both.