Gyula Bakos

A crusading newspaper reporter covers the Soviet invasion of Hungary in 1956. Initially critical of the communists, the feature later espouses the virtues of the social changes implemented since the invasion. The title refers to the period of time the reporter spent interviewing witnesses to the invasion.

Terpinkó, the bragging man of muscle likes womanising linked with betting: conquering is a great fun for him. He bet one to a hundred on his new boss, Éva. But the wife of the engineer handles all his tricks with annoying benevolence. Terpinkó falls in love with her and therefore he cannot stand her not returning his feelings.

1920 in a mining town in the country-side. The team of children led by Ferkó Boda fish guns and a flag of Red soldiers out of the local lake.

December 1956. The region by the Tisza is evacuated because of a threatening flooding. Laci, Karcsi and Péter leave their home on the lorry

October, 1956. Colonel lieutenant Szabó sends a platoon with the mission of calming the people demonstrating in the town. The platoon is lined up under the command of Lieutenant Csendes and the soldiers aim at the demonstrators. Szusza Kis changes sides, and Csendes is unable to shoot at his childhood mate. They withdraw.

The "sleepless years" in this propaganda piece by director Felix Marlassy occur on Csepel Island, an island south of Budapest that is home to an armaments factory. The factory workers are shown being exploited by imperialists, capitalists gone berserk, and fascists, more or less in that exact chronological sequence. The heavy-handed approach does much to undercut the belief that when socialism finally takes over, the lives of the workers are brought up to a human level. In this instance, audiences might prefer a more nuanced and subtle statement, no matter what the message.

On New Year's Eve in 1956 the artist couple, the actor János and the dancer Viki are hastily packing. While they are waiting for the car, which is to take them across the border, their entire life is replayed in front of their eyes.

The twenty-year-old Gida, having just survived his first amorous disappointment, falls for Katinka, the young widow, at first sight.

In a rural scenery in the throes of difficult changes lives a humble but promising young farmer girl called Mari Pataki. Her father forbids her from seeing the man she loves. The father, above all preoccupied by work on the fields and prospective wealth, decides to give his daughter in marriage to an old but rich man with whom he does business. Land marries land, he says. This seems to be the unyielding rule of the Hungarian peasantry. But the young lover is ready to stand up to any challenge to keep Maris love.

Marci is drafted from a typical block building in the 6th district in Pest. He says good-bye to Juli living in the same house, with whom they are both very much fond of each other, but neither of them makes a confession. Juli works in a factory, and with her friend Gizus she goes out in the evening for dancing and drinking. After a year, Marci comes back for holiday, he is full of love.

A few days from a daily life of a regular school in Hungary during fifties.

On the Spring of 1945 the Jackson circus is heading towards the border with the clown Peti and Aida, the elephant. They have to play for the Hungarian Fascists, while Peti is hiding the Jew Annuska and Sanyika.

Kiskrajcár is a 1953 Hungarian film directed by Márton Keleti. It was entered into the 1954 Cannes Film Festival.

In May 1919 in a small rural town beside Salgótarján the local high society wants to get the power back with the leadership of dr. Máriáss, exploiting the outside attack launched against the Republic of Councils.