Camera Operator
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
Visual Effects
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
Editor
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
Cinematography
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
Director
Jesus Was a Commie presents modern society with questions and leads the audience on a dialectical journey. The film challenges the viewer to seek their own answers and personal truths.
Editor
Joe (Matthew Modine) is a thinker in a world that doesn't tolerate analytical thinking. His wife, boss, and friends threaten to divorce, fire, and abandon him if he doesn't stop thinking so much. Luckily, Joe discovers "Thinkers Anonymous" where he learns that "we need those special people from television news and especially our government to tell us how to think. They know what's best for us, and the world."
