A journalist begins to receive envelopes containing erotic pictures, which he connects to a relationship he once had with an actress.
A young couple has established an unusual family role: she works and he does the housework. Until one day, the couple's best friend intrudes on the tranquility of the home.
Médico
Tells the story, in the key of comedy of customs, of a typical bourgeois home in Buenos Aires for three decades.
A medical student convicted of debauchery is reintegrated into society.
A woman close to turning 40 is in a strange relationship with a teenager in the absence of her husband.
A sexually-repressed girl of the Buenos Aires slums slowly goes mad after marrying.
The story of a middle-class married couple who really loves each other, but who are unable to transmit their feelings, while the routine corrodes their relationship.
A boy leaves home to take singing lessons with a teacher whom he befriends and a beautiful and ambitious young woman appears
A boy comes from inside the country to succeed as a pianist, protected by a lady of high society. The woman, somewhat older than him, young man falls in love madly in unrequited love.
Luis Sandrini plays a college professor who, because of his freethinking attitudes and concerns for moral questions over matters of business, has more in common with his students than his colleagues.
Ciego en subterráneo
Upon learning of the murder of a friend, a police inspector sets out to take justice on his own. This attitude, contrary to his usual convictions, will gradually destroy him.
Don Vicente
Inmates in a prison plan a massive break. When they put their plan into action, however, they find that they may have underestimated the guards and prison officials, and the situation quickly turns into a bloody gun battle. This action feature from director Enrique Carreras was the official entry for Argentina at the 1964 Berlin Film Festival.
During a local festival, a mysterious stranger appears in town, heading towards a violent confrontation.
An amnesiac carnival psychic is haunted by the thought that a man is coming to kill her.
Glaco Chuno
"Pobres habrá siempre" is a rarity within Argentine cinema for many reasons. Its theme is the rebellion of a group of meatpacking workers around 1935 and the several reasons that justified it, but the film was shot at a time when workers and union struggles were very strange issues for local production.
Lic. Martínez Ronda
The head of a criminal gang has all the power among his men until one decides to testify against him.