Daniel Márquez

A story of five voices passionate about the legendary national sport, characters who know a reality that the vast majority of fans are unaware of. Those who live the joys and sorrows in their football clubs on a daily basis. There is something that unifies all of them: the passion for their work and their team.

A story of five voices passionate about the legendary national sport, characters who know a reality that the vast majority of fans are unaware of. Those who live the joys and sorrows in their football clubs on a daily basis. There is something that unifies all of them: the passion for their work and their team.

1924: a group of men, amateur footballers of diverse professions and humble origins, set out on a journey towards the greatest adventure of their lives. They depart from Uruguay for Europe to disembark in Paris in its "Crazy Years" where, against all odds, Olympic glory and the amazement of the whole world awaited them. This feat would be the first of others to come in 1928 and 1930.

A fake Uruguayan Chamber of Legal Marijuana travels to the United States to find 50 tons of cannabis to supply the country. President Jose Mujica is the leader of the mission.

While working at Uruguay's largest prison construction site, Miguel is leading a double life. When he realizes that he has become a prisoner of his own lies, Miguel struggles to find the courage to disclose the truth to his loved ones.

A boy and a dog try to survive in the middle of a battlefield.

This documentary rescues from oblivion an experience of cultural resistance during the Uruguayan dictatorship. Education conceived in another way: creation, freedom, expression. A film course for children organized by the Uruguayan Cinemateca. An experience that awakened vocations, or created them. Thirty years later, several referents of Uruguayan culture revive the experience that united them as children, and that forever marked a generation of creators.

This documentary rescues from oblivion an experience of cultural resistance during the Uruguayan dictatorship. Education conceived in another way: creation, freedom, expression. A film course for children organized by the Uruguayan Cinemateca. An experience that awakened vocations, or created them. Thirty years later, several referents of Uruguayan culture revive the experience that united them as children, and that forever marked a generation of creators.

Through the memories and confessions of some of the most important names in Uruguayan music, the film brings back to life the stories of the songs that defined a country and that, in some cases, helped change history.

After a long exile in Venezuela, filmmaker Mario Handler returns to his country, Uruguay. There, the dictatorship is still present in the media, public opinion, and in the memory of people. The director feels he owes something to the comrades, those who could not leave the country. This debt translates into poetry, black humor and conscience, in a sharp and accurate atmosphere of this dark time of Uruguay.

One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.

One is a former police officer, bodyguard and hairdresser. Currently retired, he takes care of his extravagant and almost hundred-year-old illiterate mother. He writes poems and hopes to see them published one day. The other, a declared womanizer, workaholic, and leftist, was imprisoned during the dictatorship, runs a small grocery shop, and controls the life of his young second wife. Both were born in the Uruguayan hinterland during the Second World War, and share the same name as well as the fact that neither has wished to change it. The film is a tragicomic portrait of a country whose cultural diversity, its peculiar history and the character of its inhabitants allow the existence of exceptional and remarkable persons that depict a live picture of Uruguay, with its plurality and contradictions, its small and large history, without departing a single moment from irony or reflection.

34-year-old Pamela is a small and shy woman. She works at the cash register of a supermarket. She attends a religious temple led by a Brazilian minister. She periodically visits her autistic mother. She is an anonymous character, leading a meaningless life. Suddenly, a miracle occurs. Messages of a marvelous destiny start to reach Pamela in unusual ways: a client, a gentle and charismatic transvestite, her own mother, dreams, bar codes, real and imaginary signals. The Savior of the Next Millennium is apparently on his way and everything indicates that she, being a virgin, is carrying him on her entrails. Impelled to face herself, Pamela undertakes an inner voyage. A paradoxical voyage: the more mystic she grows to be, the more human she becomes.

Rare images of real life stories in the so-called "asentamientos" in the poor underbelly of Uruguay's capital, Montevideo, and in its youth jails. The difficulties of finding a job and scraping together some money, the temptations of crime and its harsh consequences, the lack of culture and knowledge of the basics of life, are all intertwined in parallel lives.

Rare images of real life stories in the so-called "asentamientos" in the poor underbelly of Uruguay's capital, Montevideo, and in its youth jails. The difficulties of finding a job and scraping together some money, the temptations of crime and its harsh consequences, the lack of culture and knowledge of the basics of life, are all intertwined in parallel lives.

Four stories of normal Montevideans like you and me, but with one thing in common: bad luck. One figure, the master of the ceremony, ties stories together commenting on the failures of those four people, as he tries to make his fortune on a slot-machine.

Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.

Ten years after the Law of Expiration, this documentary analyses the historical background of Uruguay's recent past. It is a survey of the controversy stirred up in society by the fact that, thanks to this law, the armed forces personnel and police who committed crimes under the dictatorship (1973-1985) have gone unpunished, and it examines the scars the authoritarian regime left on a section of the population.

This documentary examines sexuality as seen by women and men born into Catholic families and educated at Catholic schools. These people talk about the Church's refusal to face reality and how this short-sightedness leads to lies, feelings of guilt, a block on eroticism, unwanted pregnancies, deaths resulting from illegal abortions, and ignorance about AIDS that in fact helps the disease to spread.

Idea approaches the figure of Idea Vilariño, considered as one of the greatest Spanish-language female poets. Her literary work, especially her poetry, is acclaimed by critics and public alike, a rare case in the Uruguayan culture scene. With her own testimony, pictures, poems, songs and archive footage, this documentary offers an in-depth look at the essence of Idea Vilariño's poetic universe in a frank adherence to her literary and human posture. Her childhood, her ghosts, her desolate vision of a godless world, the stormy burden of suffering from her relationship with Juan Carlos Onetti and the commitment assumed with the issues of her time define the various facets of this woman.

The engineer Eladio Dieste, the most innovative architect in Uruguay, is interviewed by the architect Mariano Arana. He talks about the ethical responsibility involved in creating, the idea that the things that surround us should be beautiful, and how important it is to use our intelligence and creativity to produce original responses and generate our own ways of thinking.

This is a documentary about the life and work of Atahualpa del Cioppo, one of the outstanding figures in Uruguayan and Latin American theatre. We are shown his life today, his old friends and his passion for the theatre, against the backdrop of his home, the city of Montevideo.

In the east of Uruguay there is a little-known region of vast wetlands in a beautiful natural setting which is a sanctuary for thousands of species of flora and fauna. Although it is officially protected, it is under threat from rice producers who are draining parts of the area.

A long interview with Uruguay's greatest writer, in Madrid a few months before his death. From his bed, Onetti talks about literature, creativity, and his origins.

A long interview with Uruguay's greatest writer, in Madrid a few months before his death. From his bed, Onetti talks about literature, creativity, and his origins.

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

The subject is women and their participation in politics, and this is used as a pretext for a humorous, provocative, female perspective on official (male) discourse and the almost nonexistent participation of women in Uruguayan politics.

Women in an isolated backwater in the countryside tell the story of how they live, and talk about their work in a cooperative that processes wool to make good quality clothing.

Women in an isolated backwater in the countryside tell the story of how they live, and talk about their work in a cooperative that processes wool to make good quality clothing.

After the end of the dictatorship, Uruguay was faced with the unresolved problem of what to do with the past. In this documentary the CEMA camera team roam the city streets and find out what Montevideans think about bringing armed forces personnel to justice. This tour reveals a climate of scepticism, a climate of fear and suspicion, but also a will and a desire that justice must be done.

This is an account of the years of the dictatorship in Uruguay, told with archive material and interviews with witnesses who remain anonymous. There is a focus on the 1984 elections and the euphoric festivities afterwards, as the people celebrated not so much the winner of the election as the end of the dictatorship and the start of the campaign for truth and justice.