When the luckless Martin and Renato have the bright idea of starting up a guided coach tour of the M25, London's orbital motorway, they think they're on to a winner - but they soon discover they're on course for disaster.
Times are hard for habitual guest of Her Majesty Norman Stanley Fletcher. The new prison officer, Beale, makes MacKay look soft and what's more, an escape plan is hatching from the cell of prison godfather Grouty and Fletcher wants no part of it.
An aged art connoisseur (Beaumont) and his young female neighbour (Coles), who has a job posing naked in a club, meet and exist in fantasy and reality. Although this raises certain much-discussed questions about the nature of representation, and about the construction of narrative and daydreams in films, 'Phoelix' tends to treat these as just pretty and pertinent issues, opting instead for a mannered concentration on detail.
"The voice will make its effect. And it will, undoubtedly, be very touching. But, tell me: after his voice has broken, can you make anything of him then?" After the solo, after the chorus, after the applause?
