Pierre Braunberger

1º segmento: "L'île aux sirènes" – (A Ilha das Sereias) - Direção de Just Jaeckin – Um sonho de náufrago adolescente e burro. Por falar nisso a burrice é chata e ridícula. Ela engana, é contagiosa e enche o saco, pois lhe falta a autocrítica! 2º segmento: "Kusa-Meikyu" – (O Capim Labirinto) - Direção de Shûji Terayama – Poesia, fantasia, melodia, e tudo mais que você queria. Beleza pura. PARENTE lhe assegura. 3º segmento: "L'armoire" – (O Armário) - Direção de Walerian Borowczik – UMA DAS MAIS INTERESSANTES E EMOCIANANTES HISTÓRIAS DO GÊNERO. Adivinhem quem resolveu sair do armário?

The first episode – featuring frequent Borowczyk muse Marina Pierro – is the longest and, in a way, most substantial: it’s set in Renaissance Rome, with the lusty (and perpetually nude) leading lady sexually involved with famous painters and church benefactors. The second episode is the most notorious and, consequently, gave the film its controversial poster – featuring a rabbit slowly disappearing under the skirt of a teenage girl (played by Gaelle Legrand). The third and final episode, which has a modern-day setting, is the shortest – but also, possibly, the most outrageous: Pascale Christophe is a young married woman who’s abducted on a busy Parisian street by a small-time hood hidden inside a cardboard box!

Un réalisateur sans beaucoup d'expérience souhaite tourner un film pornographique.

Little did this pretty brunette know when she applied for a babysitting job that her employer was an artist and that everything at his place differed from the outside world. What struck her the most was to find out that her boss had shrunk his wife and kept her in the fridge in order, as he said, to keep her safe from a hostile world!

A story about a guy who still lives with his mother and sells some really awful alcohol to bartenders. The only way for him to do this is to cry and invent himself an awful life. Then he meets the beautiful woman whose goal in life is to sleep with the less exciting guys on Earth.

Four high school students in Paris question the education system and try to provoke a dialogue with their teachers. A portrait of the French youth after 1968.

A young couple of burglars, waiting for trial, marry in jail. Annick writes down her observations of the women's ward. When she hears that her lover must serve a twice as long prison sentence, she plans their escape.

While on vacation, a woman's husband is taken by the Russian government. After one attempt fails, she begins looking for a suitable spy to capture and trade in exchange for her husband, but she develops an attraction to the one she thinks is a good candidate.

A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth? Filmed in France in 1950, it was not completed nor released until 1971

A Japanese fairy tale meets commedia dell'Arte. All in white, the naïf Pierrot lies in a wood. Doo-wop music plays as he rises, stares about, and reaches for the moon. Although music abounds and the children of the wood are there at play, Pierrot is melancholy and alone. Harlequin appears, brimming with confidence and energy. He conjures the lovely Colombina. Pierrot is dazzled. But can the course of true love run smooth? Filmed in France in 1950, it was not completed nor released until 1971

All the researchers of the IMPS laboratory are males - with one exception : Mademoiselle Clara, Antoine, the cleaner, desperately yearns for. Night after night, when Clara is alone, going on with her experiments, the young man awkwardly manoeuvres with a view to declaring his flame. But the cold scientist remains unconcerned. In his trouble, Antoine regularly drops and breaks phials and other test tubes full of dangerous chemical products. He doesn't care when his skin gets into contact with acid. His heart burns too much for him to be able to feel the burning of his skin. And if he can't GIVE his hand to Clara will he really mind to... LOSE it ?

An African travels to Paris to learn about the construction of tall buildings, but is soon taken up with the oddities of French life.

This bitter and ironic satire illustrates the universal problems with youth and their revolt against the bourgeois establishment. The man becomes a symbolic victim of what he is protesting and resigns himself to a gloomy future with bleak prospects for humankind. This directorial debut for Jean Pierre Lajournade was well received at the 1970 Mannheim Film Festival.

A tragic spin on the futility of revolution, in cinema and elsewhere.

Some moments in the life of a young couple.

In the third part of a Cinéastes triptych on Jean Renoir, the director sits alone in a cinema analyzing scenes from La Marseillaise and The Rules of the Game, and discussing his editing and storytelling techniques.

While escaping from prison to be with her lesbian friend, a 19-year-old girl breaks her ankle and is picked up by an ex-con, with whom she begins a passionate affair. She finally turns to prostitution and robbery to support herself.

On October 21, 1967, over 100,000 protestors gathered in Washington, D.C., for the Mobilization to End the War in Vietnam. It was the largest protest gathering yet, and it brought together a wide cross-section of liberals, radicals, hippies, and Yippies. Che Guevara had been killed in Bolivia only two weeks previously, and, for many, it was the transition from simply marching against the war, to taking direct action to try to stop the 'American war machine.' Norman Mailer wrote about the events in Armies of the Night. French filmmaker Chris Marker, leading a team of filmmakers, was also there.

Etnographic documentary about lion hunting in Africa.

Jaguar, a kind of road movie on foot, tells of the journey of three friends, Damouré, Lam and Illo, on their way to the Gold Coast where they hope to make a fortune in order to return to their village in a few months.

A troupe of French actors on tour in Normandy become involved in the events of WWII.

If love is a universal phenomenon, it is never the same: the animal world experiences brutal and rapid unions, or, on the contrary, slow and difficult approaches, followed by sometimes interminable embraces.

Four young people, tired of working life, decide that they can earn money from crime than they can from work. The film follows their training at the first "crime school", as well as their work.

A young woman lives sadly in a small garrison town with a soldier. Little by little, won over by boredom, sadness, total inaction, she develops a relationship with plants and starts talking to plants.

The film shows the members of a voluntary association of young people from Upper Volta who work in Abidjan, Ivory Coast - first at their work, then at a reunion that ends on a dance floor in Treichville. The young people who come to work in Abidjan often form spontaneous associations for mutual help and entertainment, which are called "Goumbés" in Ivory Coast, after the name of a square drum that serves as the rhythmic base to their dance. During a general meeting, the secretary of the association reads the statutes, and it is these statutes that serve as both the backdrop and the commentary of the film.

One of four film sketches on the problems of adolescents facing the adult world in the 1960s. The three other sketches were directed by Michel Brault, Hiroshi Teshigahara, and Gian Vittorio Baldi.

Serge follows Hélène in the crowded streets of Paris and manages to seduce her. Werther takes Sophie to her dentist, Raoul, who tries to seduce her too.

The film is a road movie that follows a middle aged man who gives a young woman a lift. On the car radio, news bulletins warn the population against a recently escaped sadist who is known to prey on young women and children. Lelouch often cuts away from the main story, if only briefly, to parallel events that are not necessarily crucial to the story but illustrate what is suggested by the radio.

Uma viúva, dona de uma loja de antiguidades e o seu enteado vivem perturbados com difíceis lembranças do passado. Um antigo amor volta à vida da mulher e espanta o tédio da sua existência. Já o rapaz é assombrado pela memória das atrocidades que testemunhou durante a guerra da Argélia, quando uma jovem chamada Muriel foi torturada até à morte.

This short film is a metaphore for the destruction of the indian culture by the 'white man'.

Jean-Michel Barjol, a friend of Jean Eustache, was a young rebel who threw himself into cinema with reckless abandon. In this short film about a 16-year-old runaway, with whom the filmmaker clearly and empathically identified, Bariol inventively uses voiceover narration, documentary images, and jazz to create a sense of tumultuous yearning.

Doze contos episódicos na vida de uma mulher parisiense e sua lenta descida para a prostituição. Os muitos rostos de uma mulher tentando encontrar-se em um mundo de homens. Este filme explora a descida de uma mulher parisiense na prostituição. O filme é composto por uma série de 12 "tableaux", cenas que são basicamente episódios desconectados, cada um apresentado com uma introdução de um curto texto. (e 16 - Estimado 16 Anos)

Michel Jussieu, a film producer, returns one morning to the cabaret where he forgot his sweater. He discovers the corpse of an extreme right-wing journalist, but immediately he is knocked out. He wakes up in the police station ...

An aimless young woman is sent home from school with nothing to do. Drifting through the streets of Paris, she comes across a variety of people.

A photoshoot on the roofs and in the streets of Paris, under the astonished eyes of the inhabitants.

A chronicle of the evolution of the Cuban Revolution, ending with the Bay of Pigs incident and including two interviews with Fidel Castro.

Godard narrates the loosely constructed story of a young woman attempting to make her way from her home in the country to Paris, amid a massive flood.

Charlie é um pianista clássico que mudou de nome e agora toca jazz em um bar parisiense. Seus irmãos Richard e Chico estão com problemas com os mafiosos, e Charlie os ajuda a fugir. A partir desse momento, ele também se torna um alvo para os criminosos.

Uma cidade através da sua ferida.

Miléna is living in her grandmother's baroque château when the rich lady dies. The lawyer Miguel, who had a previous relationship with Miléna, insists the other two grandchildren, Fifine and her brother Jean-Paul, visit the château for the reading of the will, even though they have been estranged from the family at an early age. However Robert, who had been living with Fifine in an open relationship, arrives and impersonates Jean-Paul. Robert falls for Fifine's cousin Miléna while Fifine has designs on Miguel. In the meantime, the butler César is focusing his lecherous intentions on Prudence, the maid he had just hired.

Le chant du Styrène is a 1958 French documentary film directed by Alain Resnais. The film was an order by French industrial group Pechiney to highlight the merits of plastics.

Charlotte e Véronique são jovens amigas que dividem o mesmo quarto e possuem gostos parecidos. Em uma certa tarde marcam um encontro em uma praça, quando Charlotte é interceptada por um insistente rapaz, Patrick. Com seu estilo patético, Patrick conquista as garotas usando os velhos truques. Sendo assim consegue marcar um encontro para o dia seguinte, crente ter conseguido uma nova mulher.

Charlotte retorna para visitar seu ex-namorado Jean, que vive em um pequeno quarto em Paris. Antes dela dizer uma palavra, Jean lança-se em um agressivo discurso, alternadamente reprovando-a pelo fim do namoro e então dizendo que não pode viver sem ela. Tudo o que Charlotte pode fazer é esperar e sorrir, até chegar o momento certo para manifestar-se.

A short documentary on the chateaux of the Loire in France was commissioned by the French Tourist Bureau.

Winner of the prestigious Prix Louis Delluc in 1958, "Moi, un noir" marked Jean Rouch's break with traditional ethnography, and his embrace of the collaborative and improvisatory strategies he called "shared ethnography" and "ethnofiction". The film depicts an ordinary week in the lives of men and women from Niger who have migrated to Abidjan, Côte d'Ivoire for work.

Claire (Vitry) is a chic young Parisian woman married to a somewhat older husband, Jean (Doniol-Valcroze). As the story opens, she leaves her husband playing baroque music at the piano, telling him she is off to see her sister, Solange. In reality she meets her lover, Claude (Brialy) at his apartment; after some idle chatter and love-making he tells her a story of the shriveled heads that the Jivaro Indians used to give their lovers as tokens of affection but, as she shivers in disgust, he gives her a mink instead. How will they hide it from her husband though?

A report on this extraordinary boom town that owes its fortune to oil.

Toute la mémoire du monde is a documentary about the Bibliothèque Nationale in Paris. It presents the building, with its processes of cataloguing and preserving all sorts of printed material, as both a monument of cultural memory and as a monstrous, alien being.

Julietta is a French comedy comedy romance film from 1953, directed by Marc Allégret, written by Françoise Giroud, starring Dany Robin and Jean Marais. Film was based on a novel of Louise de Vilmorin.

A poacher nicknamed "Le Bouif" is accused of having murdered his son-in-law, trainer of a horse stable in Maisons-Laffitte.

In 1786, Jocelyn entered the Seminary. He leaves his share of the inheritance to his younger sister Julie. In 1793, on the point of being ordained a priest, the Revolution forced him to take refuge in the Alps. There he meets Laurence, first disguised as a young boy. A great friendship binds them which turns into love when Jocelyn discovers the girl's true identity. Yet faithful to the promise he made to the Superior of his Seminary, Jocelyn will not abandon his faith.

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

The film evokes all the aspects of bullfighting - its history, the bulls, the toreros, the arena, the audience - and involves numerous matadors from the era.

Alain Resnais & Robert Hessen use the famous Picasso mural "Guernica" in combination with newspaper headlines in an anti-war cry against the Spanish Civil War. Narration by Jacques Pruvost highlights the Guernica atrocity of April 1937, followed by a poem by Paul Eluard read by María Casares to a discordant score by Guy Bernard.

Although suspected and hunted down by policeman Sherlock Coco and inspector Hector, the Pieds Nickelés (Croquignol, Filochard and Ribouldingue) manage to save the legacy of Monsieur Miradoux, who will be very grateful to them.

Nicole Védrèss' chronicle of Paris from 1900 to 1914 is brought to life through the use of original material, all authentic, secured from more then 700 films belonging to public and private collections. A few of the celebrities of the time shown are Enrico Caruso, Sarah Bernhardt, and Maurice Chevalier.

Oscar Winning 1948 short film by Alain Resnais, not to be confused with either the Short 1966 TV doc or the 1991 feature film by Maurice Pialat, both of which shared the same name.

Perto do fim do século 19, durante as férias, os membros de uma pequena família burguesa decidem passar um dia no campo. Ao chegarem lá, estando mais próximos da natureza, eles decidem então fazer um piquenique nas proximidades do Rio Marne e aproveitar da calmaria do local. Porém, o contato com dois jovens camponeses da localidade apresenta-se como uma sedutora aventura para Henriette e sua mãe.

Denise Moret joins her husband, Pierre, in Mongolia where he works as a civil engineer. One night she loose a lot of money ont eh roulette and therefore is forced to borrow money from Prince Lee-Lang. The Prince immediately begins to flirt and make advances towards Denise. Advances she rejects.

Denise Moret joins her husband, Pierre, in Mongolia where he works as a civil engineer. One night she loose a lot of money ont eh roulette and therefore is forced to borrow money from Prince Lee-Lang. The Prince immediately begins to flirt and make advances towards Denise. Advances she rejects.

Documentário mostra de forma crua e extremamente realista a pobreza e miséria da região do norte da Espanha. Denúncia pungente de 1932, esse curta-metragem de Buñuel reflete suas preocupações sociais e forte personalidade.

The Marquise de Langrune invites her friends at her castle in Beaulieu. Among them is Lord Beltham who also came to bring her a significant sum of money. The mysterious Fantômas kills the Marquise during the night. Inspector Juve is sent on his trail.

Infeliz no casamento, Maurice Legrand se apaixona pela jovem Lulu, uma prostituta, de quem se torna amante. Porém, ela só aceita o relacionamento pelo dinheiro de Maurice, já que está envolvida com o gigolô Dede.

A little boy won't go to the bathroom, which leads to all sorts of complications for his parents and their friends.

A bank employee who stole money at work falls in the hands of a dangerous escaped convict whose girlfriend is going to help him out of this mess.

A lieutenant of the French navy, ready to kill himself in despair, renounced his project after spending a night with a beautiful stranger. He ends up finding her, the heiress princess Lystrie. The German version (Königin einer Nacht) was an operetta, the Italian version (La donna di una notte) was a comedy, while the French version (La Femme d'une nuit) was a dramatic film.

Come take an avant-garde walk in the Montparnasse of the late 1920's. This district of Paris, filmed in a most unusual way, shows how dedicated it is to art. Visit its art galleries and exhibitions, take a glimpse of famous painter Fujita, of Luis Buñuel eyeing the legs of beautiful Parisian passing the terrace of the café where he sits, of Italian futurists Marinetti, Prampolini and Russolo.

The tale of a rich, flaky poet and his servant who both join the army and wind up in the same barracks.

Shot in three days, this surreal, erotic silent short shows a native white girl teaching a futuristic African airman the Charleston dance.

Shot in three days, this surreal, erotic silent short shows a native white girl teaching a futuristic African airman the Charleston dance.