Miguel Molina

After an accident, Ana needs some metal prosthetics in one of her forearms. During her winter vacation, she notices something strange—as though her arm were an antenna, she begins to receive messages in morse code. This happens every day, but the frequency is different. With a little help from her friends, the young woman spends her days trying to decipher the enigmatic code coming from her body. Is it a song? A call from unthought-of places? Is it a game? Or a simple problem with the prosthetics? As she did in her short films, Ingrid Pokropek relies on fiction to tackle the shortcomings of early adolescence and pay tribute to Buenos Aires City’s geography. In Los tonos mayores, the fantastic barges in little by little, with the same conviction Ana enters the adventure of her life.

In 1778, a group of genoese merchants settled in Tabarca island. 250 years later, a filmmaker wants to discover the secrets of the posidonia, the longest living being on the planet, but a pandemic turns over the documentary, all inhabitants have disappeared, and the posidonia too.

The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream. (Based on the short film The Fourth Kingdom, 2017.)

The swimming pool has played an important role throughout film history – most often as a romping ground for the sophisticated and hedonistic Dolce Vita. But it can be so much more, even sinister, as in Sunset Boulevard. In Leyenda dorada a rather unglamorous swimming pool of diminished charm forms the focal point of the story. A lazy summer’s day in the Spanish village of Montánchez, and people of all ages enjoy themselves at the outdoor pool. It is an almost utopian depiction of community, under the lofty, watchful gaze of Our Lady of Consolation. While conflicts, aggression, rivalries and animosities have a siesta, the villagers take a well-deserved break. Formally, the film draws on the tradition of New Objectivity. But unlike Robert Siodmak’s Menschen am Sonntag (1930) and its lido sequence, this is a wee summer fairy tale.

JM is a young DJ with an intellectual disability, which makes him live unaware of the marginal world surrounding him. One night he will witness a brutal beating.

The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.

The regular visitors to a recycling center in the Brooklyn borough of New York, run by René, a discreet Mexican who works and sleeps there, and by the Spaniard Ana de Luco, form a community capable of transcending their reality to turn it into a realm of their own, sometimes surreal, outside the great collective swindle of the American dream.

Ben’s life and the LAPD will be upside down as soon as he buys a 1968 Mustang from a local car dealer.