Maurice Hines

Nascimento : 1943-12-13, New York City, New York, USA

Filmes

Maurice Hines: Bring Them Back
Himself
Maurice Hines, a charming, gay African-American entertainer navigates the complications of show business while grieving the loss of his more famous, often estranged younger brother, tap dance legend Gregory Hines.
American Tap
Self
O documentário aborda a história cultural da forma de dança conhecida nos EUA como "tap".
Erroll Garner: No One Can Hear You Read
In a triumphant career that lasted forty years Erroll Garner pushed the playability of the piano to its limits, developed an international reputation, and made an indelible mark on the jazz world. And yet, his story has never been told. Until now. The film explores Erroll's childhood in Pittsburgh; his meteoric rise in popularity while playing on 52nd street, New York's famed jazz epicenter; the origins of his most famous album (Concert By The Sea) and his most famous composition (Misty); his singular, virtuosic piano style; and his dynamic personality, both on and off the stage.
Memories of Manon
Bump
Yvette Marcel (Melissa Anderson) asks her godfather Control and McCall for help dealing with her irrational father, who is intent on locating Manon, the mother she believed had been killed years before.
Night of 100 Stars II
Self
This special is the second "Night of 100 Stars" to benefit The Actors Fund of America. Edited from a seven-hour live entertainment marathon that was taped February 17, 1985, at New York's Radio City Music Hall, this sequel to the 1982 "Night of 100 Stars" special features 288 celebrities.
Cotton Club
Clay Williams
O Cotton Club foi uma famosa boate do Harlem. Esta é a história das pessoas que frequentavam este clube, bem como das pessoas que o dirigiam. O filme é generosamente recheado com música, o jazz que tornou o Cotton Club tão renomado nas décadas de 1920 e 1930.
Eubie!
Eubie! began life as a Broadway musical, celebrating the life and work of legendary black entertainer/composer Eubie Blake. This taped version was specially prepared for cable TV in 1981, then released on videocassette a few years later. Gregory and Maurice Hines head the exuberant, toe-tapping cast. Among the highlights are such Blake standards as "I'm Just Wild About Harry". The race issue is brought into play every once in a while, but never in such an omnipresent fashion as to dampen the spirits of this sparkling example of Broadway at its best.