Yuliya Bobkova

Yuliya Bobkova

Nascimento : , Krasnodar, Russia

História

Born in 1995 in Krasnodar, Russia. In 2013 she entered the All-Russian State University of Cinematography (VGIK) (workshop of S. Miroshnichenko and S. Muzychenko), the faculty of documentary films where she studies up to now. At present, she is actively shooting documentaries depicting the fates of ordinary and unique people. The short film NO SUTURES was her first festival piece; THE LAST WALTZ is her feature documentary debut.

Perfil

Yuliya Bobkova

Filmes

The Fugitives
Director
Denis Lisov was able to defend the right to raise his own children and went to Sweden to pick them up from a foster family and return to his native Khabarovsk.
Ecosystems
Director
Today, corporations are fighting for you. They will improve the quality of life. But they will collect data about each step and make decisions for you. What do you eat for dinner? What will you watch tonight? What will you do tomorrow? This will be decided by the ecosystem.
Stanislavski. Lust for Life
Screenplay
A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.
Stanislavski. Lust for Life
Director
A story about Konstantin Sergeievich Stanislavski, a twentieth-century theatre genius. Owing to his powerful extraordinary talent he managed to stay a true artist and a free spirit within the harsh Soviet system. In the film contemporary theater and film directors (Kirill Serebrennikov, Katie Mitchell, Lev Dodin and others) show how Stanislavski's method affects their everyday work. Each of the directors finds his or her own reflection in the mirror of his genius. In search of an answer to the question whether modern theatre really needs Stanislavski they discover that art lacks its most essential part – the human being.
Life is a Thrill
Director
This is a story about an amazing person who devotes his life to his students. Vladimir Fenchenko lit the hearts of hundreds of young filmmakers with love for cinema.
Victim Status
Screenplay
Through the story of the traumas and scars of seven heroines, the film deals with the psychological model that people today live in. Each of us sooner or later found ourselves in the triangle: victim-aggressor-savior, and we did not always manage to see it and stop playing the role of the function in the destructive schema.
Victim Status
Director
Through the story of the traumas and scars of seven heroines, the film deals with the psychological model that people today live in. Each of us sooner or later found ourselves in the triangle: victim-aggressor-savior, and we did not always manage to see it and stop playing the role of the function in the destructive schema.
Solzhenitsyn. Remorse
Director
The Last Waltz
Director
This film is about Oleg Karavaichuk, eccentric musical genius and famous St. Petersburg composer, who takes his final stroll through Komarovo, a bay-side summer community just outside St. Petersburg where he spent his whole life and wrote most of his works. His final piece, “The Komarovo Waltz”, unveiled here for the very first time, was written as a tribute to the place. The film is the reclusive composer’s eulogy to the community. It also serves as Karavoichuk’s farewell to audience as well as his last address and reminder of things that are truly important – love for your fellow man and virgin nature.
On the Edge
Director
A documentary almanac consisting of 5 short stories revealing the wonderful world of Sakhalin Island and its inhabitants. The film tells human stories through the eyes of young filmmakers who visited the island for the first time. The main characters of the novels are representatives of different professions. The documentary filmmakers lived for several days in a fishing camp remote from settlements, captured the peculiarities of oil production in the Okhinsky district, visited Tyuleniy Island, got acquainted with the dynasty of miners in Uglegorsk and explored the village of Douai, from there the settlement of the island began.