AES+F

AES+F

Nascimento : , Russia, USSR

História

First formed as AES Group in 1987 by Arzamasova, Evzovich, and Svyatsky, the collective became AES+F when Fridkes joined in 1995. AES+F work at the intersection of traditional media, photography, video and digital technologies. They define their practice as a kind of "social psychoanalysis" through which they reveal and explore the values, vices and conflicts of contemporary global culture.

Perfil

AES+F

Filmes

Inverso Mundus
Director
Inverso Mundus reveals an absurd world based on exchange of power and roles that instead of distancing itself from reality reflects our own society, the contemporary crisis rooted in social, political and economic factors, today’s conflicts and inequalities, stereotypes and human behavior.
Allegoria Sacra
Director
The film follows in part the reality of airport life. As well as experiencing the usual crowds of passengers we witness the location and destruction of an unidentified piece of luggage, a fight between migrants, the emergency services helping a patient. Alongside everyday reality we see a whole range of mystical transformations of this world, from a jungle with exotic tribes to an underwater kingdom, then to a snow field which melts to form the river Styx, flowing to the horizon in to an endless sea in the direction which the passengers will eventually fly, their planes becoming mystical craft...
The Feast of Trimalchio
Director
The Feast of Trimalchio is a deconstruction of the self-obsessive and indulgent behavior of modern civilization and is an allegorical symbolization of a mass-media generated version of Heaven. The guests of the hotel indulge in all of the contemporary pleasures perpetuated in advertisements of resort getaways, from leisurely fitness to 'body purification,' while the viewer sees any notion of social hierarchy dissipate as the masters begin to court the servants, acting out their fantasies of a Roman Saturnalia. The pleasures in AES+F's Feast of Trimalchio are intermittently interrupted by catastrophes that are simultaneously tragic and comical.
Last Riot
Producer
The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish. Crossing its own borders in to new zones, it absorbs its founders and mutates in to something absolutely new. In this new world real wars look like a game on americasarmy.com. Prison torture appears more like the sadistic exercises of modern-day valkyries. Technologies and materials transform the artificial environment in to a fantasy landscape of a new epoch. This paradise is a mutated world where time is frozen and the past is neighbor to the future.
Last Riot
Director
The virtual world generated by the real world of the twentieth century is growing exponentially, like an organism in a Petri dish. Crossing its own borders in to new zones, it absorbs its founders and mutates in to something absolutely new. In this new world real wars look like a game on americasarmy.com. Prison torture appears more like the sadistic exercises of modern-day valkyries. Technologies and materials transform the artificial environment in to a fantasy landscape of a new epoch. This paradise is a mutated world where time is frozen and the past is neighbor to the future.