Rana Dasgupta

Filmes

JK 1971
Director of Photography
The plot follows a young Frenchman, Jean Kay, who hijacks a plane of Pakistan International Airlines in Paris and demands 20 tons of emergency medicine for children to help Bangladeshi refugees during the 1971 Liberation War.
Erao Shotru
Director of Photography
Erao Shotru tells the story of social evils.
Boundary
Cinematography
How friendship is meaningful in our life? Does it has any barrier by thought? Age, Color, race or religion? Let's make friendship universal -a circle free for better humanity.
Samsara
Cinematography
The story is of three friends from school who meet up after about 18 years. One of them is a successful businessman, the other runs his in laws business and third one is a writer with a writers block. He asks old friends to help. In the process the three get back some fun of the past. But as they can't help the writer and some strange things keep occurring the three friends quarrel. But then the writer gets a clue and the three friends embark on a journey. In the strange place they land up, the three keep meeting people who are look alike from their past. Initially they try to reason, but finally as all three get involved and remember the stories involving these look alike the three start fretting. They are uncomfortable and worried - Disturbed. And this disturbance, distress, confusion, turmoil . It's their past present and future all rolled into each other..Their mind is in a mess - Old memories comes back haunting them.
Shrestha Bangali
Director of Photography
Postmaster
Cinematography
Young spirited Nanda Sen leaves his city home and luxury of urban life to join as the village Postmaster of Plassey where his life was comforted with the service of orphan low-caste housemaid Ratna and his only friend there school teacher Rabibabu. Ratna's charm appealed to him and Nanda married her against society and family. Succumbed to his father's last wish to marry a suitable match, Nanda landed in a crisis and escaped his desired family life. Nanda couldn't overcome this sin and finds solace in the next life.
Prime Time
Director of Photography
The film revolves around the journey of beautiful Chandana and tough Sayantan who are crime reporters. They operate together and find exclusive and breaking news for their channel.
Window Connection
Director of Photography
Rahul is a college-going boy who has always longed for the attention and love of his parents, which he feels deprived of. When he meets sexy Sohini, his forgets his loneliness and his mind gets obsessed with her thoughts. A new desire to live works within him. But that Rahul loves her remains unknown to Sohini, the results of which are strange or mysterious events occurring in her life. Whether Rahul is able to win the heart of Sohini or not, forms the climax of the story.
Kantatar - Barbed Wire
Cinematography
Kantatar (Barbed Wire) revolves around the journey of Sudha (Sreelekha Mitra), a socio-political-love drama, Kantatar centers on an illegal immigrant's search for identity and her effort to survive sake and in search of an identity, moves from one man to another and from one religion to another. The sudden threat of cross border terrorism entirely changes the socio-political situation in a remote village close to the frontier, the army rolls into town, and the drastic changes take their toll on inter-personal relationships as they are marred by suspicion, competition and fear. Sudha takes refuge in a temporary weather camp just outside the village.
Shilpantar - Colours of Hunger
Cinematography
Based on a story written by renowned Indian Bengali writer Shirshendu Mukhopaday, an artist's fascination with a circus performer who devours live snakes and chicken turns into obsession leading him to marry her just to learn her tricks but it costs him peace and poise.