Charlie Weiss

Filmes

Jazzclub - Der frühe Vogel fängt den Wurm
A musician tries to get by working several jobs.
00 Schneider - Jagd auf Nihil Baxter
Pilot
The funny clown Bratislav Metulskie is found dead in circus "Apollo". The retired commissioner 00 Schneider is asked to assume control of the case. Schneider and his aged sidekick Körschgen investigate to find the murderer.
Texas - Doc Snyder hält die Welt in Atem
Der liebe Gott
The dreaded Doc Snyder returns home after 30 years. After his long ride through the prairies of the wild west, his laundry is extremely dirty, and who could wash it better than his unshaven mommy? But first she sends him to the prison, from which he is to free his brother Hank, because otherwise he will be hanged. When that's done, they both spontaneously decide to rob a bank, which goes completely wrong. Before Doc Snyder's eyes, his beloved brother is shot by his intimate enemy, the Nose Man. Snyder initially manages to escape, but the Nose Man takes up the pursuit, and from then on many innocent people have to die - including Snyder's mother...
Mother's Mask
Reporter
Mutters Maske aka Mother's Mask is a free adaptation of the film Opfergang (1944) aka The Great Sacrifice of Veit Harlan. Schlingensief exposes his source material's dangerous proximity to kitsch and camp by reducing the genre conventions known from Harlan, Sirk, Fassbinder & Co to the level of a daily soap: set within a noble family from the German Ruhr, Schlingensief's story revolving about Willy von Mühlenbeck's tragic love to terminally ill neighbor girl Äls (Susanne Bredehöft) and the inheritance intrigues by his evil brother Martin von Mühlenbeck (Helge Schneider) creaks with melodramatic devices and self-conscious dialogues. Rather than being a mere spoof, "Mother's Mask" is perhaps Schlingensief's purest black comedy.
Mother's Mask
Original Music Composer
Mutters Maske aka Mother's Mask is a free adaptation of the film Opfergang (1944) aka The Great Sacrifice of Veit Harlan. Schlingensief exposes his source material's dangerous proximity to kitsch and camp by reducing the genre conventions known from Harlan, Sirk, Fassbinder & Co to the level of a daily soap: set within a noble family from the German Ruhr, Schlingensief's story revolving about Willy von Mühlenbeck's tragic love to terminally ill neighbor girl Äls (Susanne Bredehöft) and the inheritance intrigues by his evil brother Martin von Mühlenbeck (Helge Schneider) creaks with melodramatic devices and self-conscious dialogues. Rather than being a mere spoof, "Mother's Mask" is perhaps Schlingensief's purest black comedy.