José Pidal

Target of ridicule from fellow military academy, the cowardly Augustin did not want to return to their village for fear of confronting his grandfather, a revolutionary colonel. In love with the movie star Laura, Agustin flee to the capital but encounters the dangerous Humberto, another in love with the actress. Thanks to his "nine lives", he attains overcome perilous adventures and, incidentally, overcome their fears.

In a music hall has committed a murder, the police will also find the murderer.

Jilted lover takes revenge on her ex's new wife.

The English-language title of this Mexican musical was The Third Word. Singer Pedro Infante stars as a pampered young man who is sheltered by his doting aunts. Deciding that their darling boy needs an education, the ladies hire pretty schoolteacher Marga Lopez. Upon discovering that her pupil is 28 years old, Marga is momentarily nonplused, but then settles into her duties. Inevitably, romance blossoms between Pedro and Marga, much to the aunts' dismay.

Two brothers named Margarito butt heads courting the same woman.

Masked rider exposes the criminal misdeeds of a wealthy land-owner and his henchmen.

Unscrupulous rich guy owns all the businesses in border towns, is challenged by town's new priest.

The romantic entanglements of three singers: two boys and a girl who fail in a radio contest and formed a trio.

Adult street urchin passes himself off as rich man's long-lost son.

A useless and bloody vendetta has been going on for ages between two families in this Mexican village. Men, sons, have killed each other for generations, for a so-called conception of honor in a revenge that never ends since it is also triggered by people of the village. Now, today, there are only two sons left, one in each family. One has become a doctor in the big city and his culture is modern. The other last one - of the other family - hasn't left the village and is waiting for the doctor to come "home" as he plans to kill him, to settle this war on this matter of honor once and for all. And the people of the village want blood.

Mexican feature film

Confronted with the unfortunate news that their favorite Streetcar, no. 133, is going to be decommissioned, two Municipal Transit workers get drunk and decide to "take 'er for one last spin," as it were. Unfortunately, the "one last spin" ends up being an all-night and all-day scramble to stay out of trouble, as they are confronted with situation after sometimes bizarre situation that prevents them from returning the "borrowed" Streetcar!

Pastora de los Reyes is a beautiful Spanish that goes to Mexico with a contract to film a movie. The main actors will receive her at the airport, among them is Paul, a little-known mariachi that has been chosen to become a new idol. Automatically, both had bad relations and during filming many discussions happens. This arguments gives way to a deep love.

Pops is dismissed from his banking job for embezzlement, and his family have to adjust to a more modest lifestyle.

A miserly father quashes his daughter's marriage plans because he thinks her fiance is a fortune-hunter.

Um aprendiz de fotografia se envolve acidentalmente em um complô internacional.

Francisco is rich, rather strict on principles, and still a bachelor. After meeting Gloria by accident, he is suddenly intent on her becoming his wife and courts her until she agrees to marry him. Francisco is a dedicated husband, but little by little his passion starts to exhibit disturbing traits. Nevertheless, Gloria meets with scepticism as she expresses her worries to their acquaintances.

A ambiciosa família Montes tem em sua casa o cientista Archimedes Monteagudo e seu assistente Cantinflas, que cuida do bem-estar de ambos. O professor está prestes a fazer uma grande descoberta: extrair da água do mar os componentes de um combustível que substituiria a gasolina carburex. A Cantinflas, por sua vez, quer descobrir um composto que permita prolongar a longevidade das rosas.

A 17th century woman, imprisoned for fighting in a bar, recounts her past to a priest. She tells of her father teaching her how to fence, of being sent to a convent by her aunt when her father died, of escaping by dressing as a man, and of her life as a man following the escape.

The biblical story of The Messiah from his baptism through his crucifixion.

A 1941 film directed by Gilberto Martínez Solares.

A 1941 film directed by Vicente Oroná.

A Spanish, Juan, is obsessed with telling the truth always. As a result he is consistently in the middle of troubles...