Sabine Glaser

A princesa austríaca Maria Antonieta (Kirsten Dunst) é enviada ainda adolescente à França para se casar com o príncipe Luis XVI (Jason Schwartzman), como parte de um acordo entre os países. Na corte de Versalles ela é envolvida em rígidas regras de etiqueta, ferrenhas disputas familiares e fofocas insuportáveis, mundo em que nunca se sentiu confortável. Praticamente exilada, decide criar um universo à parte dentro daquela corte, no qual pode se divertir e aproveitar sua juventude. Só que, fora das paredes do palácio, a revolução não pode mais esperar para explodir.

French diplomat Dominique Auphal is put under surveillance by an unnamed secret service. They wish to find a weakness in his life in order to control him politically. Auphal becomes "File no. 51": his private life is spied, analysed and commented.

No enterro de Bertrand Morane estão muitas das mulheres que o engenheiro de 40 anos amava. Em flashback, a vida e os casos de amor de Bertrand são contados por ele mesmo enquanto escrevia um romance autobiográfico.

Middle-aged businessman, Simon Léotard finds his future in jeopardy when his partner Julien commits suicide after having accumulated a mass of debts. Simon's unscrupulous business rival Lépidon offers to save him from bankruptcy by buying his company, at a discount rate. Reluctant to fall into Lépidon's trap, Simon decides to resolve the crisis himself. A prostitute, Mado, provides him with the solution to his problems...

Guests gather for the porcelain anniversary of a couple. When another woman's husband leaves her in front of everyone's eyes, the anniversary-celebrating husband gallantly makes loves to her in front of the same people. Then a sexual and confessional free-for-all erupts, until one of the wives, repulsed, runs away.

Starting as an investigation, the film begins with the discovery of a murdered young woman. Gradually we go back in time to realize that this crime is altogether the logical continuation of a philosophy of life where neither sex nor death are taboo, and where a lust for pushing limits meets it ultimate conclusion.

Complications abound in this French film, which tells the story of a filmmaker who is attempting to put his real life into a movie; his interactions with the people in the movie he is filming create reverberations in his "real" life, although the past remains unchanged. Among the complications is his growing regard for the woman who plays his cinematic wife. She may wind up replacing his actual wife in real life. One of the highlights of this film is the insight it gives into the actual mechanics of filmmaking.

The mysterious events in the life of a young girl found murdered on the banks of the Seine are gradually elucidated by a police investigation. Will the culprit be unmasked?

Having escaped from prison Ristack contacts his partner, to organize an attack on a van full of gold. The heist goes well but each man is trying to keep all the loot for himself...

Leading man Michel Piccoli plays Pierre, a young musician who briefly catches sight of a beautiful woman dressed in blue and soon spends all of his time trying to track her down. After roaming the streets of Paris in search of the mystery woman, he recruits an old friend to help find her.