Eva Truffaut

Road trips through Los Angeles, famous verses in the Poetry Lounge and love in times of the pandemic: Rendezvous with an old flame, fourty years later. After Jaurès (2012), Vincent Dieutre presents another tender autofictional piece in the Forum.

Our feelings, our choices, even our death wander on the web like options, like ghosts. For the time of a last train journey, for the time of a love chat, a deadly chat, or an unlikely casting, three generations will try to definitively wrest from virtual nomadism, to put an end to self-exile that undo our lives... Between Rotterdam and Tourcoing, diving in the Flatlands, tenuous and fragile...

Jorge de Sena foi forçado a deixar seu país. Primeiro se mudou para o Brasil, e mais tarde para os Estados Unidos, sem nunca voltar para Portugal. Durante seu exílio de 20 anos, ele manteve uma correspondência epistolar com Sophia de Mello Breyner Andresen.

A studio. A man and a woman. Moving images on the screen, which he comments on, spurred on by her questions. All the footage was shot from the window of a flat: views of the street, the metro line running above it, the canal, into the windows of the buildings opposite. The flat belongs to the man’s lover, the man is a guest, spending his nights there but never his days. By the canal, young men from Afghanistan set up makeshift shelters as the man looks on, developing increasing sympathy for them. The seasons change, winter, spring, summer.

A filmmaker and his crew try to enter the passionate world of Port-Royal and of Jansenism. Another Age of Louis XIV comes to life, the age of Pascal, Racine and of the “Friends of Truth”. The film itself comes up against the unanswerable question of grace.

What is the state of cinema and what being a filmmaker means? What are the measures taken to protect authors' copyright? What is their legal status in different countries? (Sequel to “Filmmakers vs. Tycoons.”)

Marianne, a young cellist discovers that her father had a mistress who is still alive. Her journey to find this mysterious woman takes her to places and people from her childhood that she thought she'd left behind forever.

Pierre Léon ingeniously condenses and updates Dostoevsky’s novel about a 19-year-old intellectual reconnecting with his estranged family in his impressive debut feature.

Julien Vercel (Jean-Louis Trintignant) é suspeito de matar o amante da esposa. Todas as pistas apontam para ele, principalmente quando sua esposa também é achada morta. Enquanto Vercel se esconde em seu escritório, sua secretária Barbara Becker (Fanny Ardant) investiga esses assassinatos suspeitos.

O filme acompanha os eventos de diversas crianças durante o verão de 1976 na França e suas frustrações, problemas e às vezes a apressada passagem para a adolescência. Apresenta uma visão panorâmica das vivências de um grupo de crianças de idades variadas na pequena cidade de Thiers, mostrando as relações com os adultos e entre si, desde o berço até à escola primária. Em várias sequências que abordam desde acidentes domésticos, traquinagens, impulsos sexuais, primeiro amor e a violência infantil, procura demonstrar com serenidade como as crianças são extremamente engenhosas e com isso conseguem suportar muita coisa.

No início do século XX, Claude Roc, um jovem francês de classe média, faz amizade com a inglesa Anne. Enquanto passa um tempo na Inglaterra com a família de Anne, Claude se apaixona pela irmã dela, Muriel, mas as famílias de ambos impõem um ano de separação sem contato antes de poderem se casar.

In 1798, a feral boy is discovered outside the town of Aveyron, France. Diagnosed as mentally impaired, he is relegated to an asylum. A young doctor named Jean Itard becomes convinced that the boy has normal mental capacity, but that his development was hindered by lack of contact with society. He brings the boy home and begins an arduous attempt at education over several years.