Andres Lõo

When Joko, Ants and Reeda, all in their own good reasons, first enter a casino, they can't possibly be aware of the very existence of the demons inside them. Soon enough, they will know. But then it is already too late and their lives are suddenly caught in a fatal vortex.

In her fondest dreams, this film’s main character Leila (Riina Maidre) is a resplendent singer. In reality, however, all her energy and talent is spent on relationships that eat away at her soul, mind-altering substances, and glamorous showing-off. Heleri defies the rules. By playing with the possibilities of the art of film, she takes the viewer to an uneasy universe where the boundary between reality and illusion is incredibly thin. This is a world that is familiar to everyone who at some point in their life had to grow up and admit to themselves that dreaming is not enough on its own. And who have regardless of that chosen dreaming.

A story of a naive man, whose direct behavior stirs in people moral unrest, rage and embarrassment over their own pettiness, making them yearn for goodness. Based on the book by F. Dostojevski.

The first film in the Seto language in the world speaks about the brightest heroine of a small people, the folk singer Hilana Taarka, a woman who lived her whole life as an outcast in a small chimney-less hut; as an unmarried mother of children in poverty, begging her bread, doing odd jobs and singing. She always sang the truth, sometimes bitter, sometimes funny, sometimes cruel. She was feared, despised and coveted. Taarka sang throughout her remarkable life, throughout her fate, from a small Seto village to international fame. And she sang well. Really well. Taarka became the Mother of the Song, a legend. But as a woman, as a member of the community, the Seto people never really accepted her. Taarka - a despised woman and a worshiped singer.

A teenage girl has problems with her family and life when her little brother is born with a heart problem.

Autumn in Estonia, where six people live, six solitudes, prisoners of the monotonous architecture of Soviet-era concrete buildings, in search of human companionship, of love, of a ray of light in an ocean of gray.