Yan Epstein

Após uma briga com o chefe de policia, Hubert Fiorentini, um detetive policial, é obrigado a tirar férias. Poucos dias depois ele recebe um telefonema de um advogado do Japão, avisando que Miko, o grande amor de sua vida e que estava desaparecida há 20 anos, havia falecido recentemente. Hubert, parte imediatamente para Tóquio, onde descobre que Miko, lhe deixou duzentos milhões de dólares e a posse de Yumi, sua filha problemática. Desconfiado, Hubert, procura Momo, seu antigo parceiro na polícia, sendo que juntos descobrem a verdade em torno da misteriosa morte de Miko, e seu envolvimento com a máfia japonesa.

A woman learns to care for others when she's forced to help people on the wrong side of the law in this drama. Marie-Line (Muriel Robin) is a single woman in her mid-forties who oversees the cleaning crew at a large office building. On the job, Marie-Line is all business, with no patience for laziness and no tolerance for employees who do less than a perfect job. But Marie-Line's bosses are in the midst of a money crunch and they've cut back on her budget, so when several of her employees quit, she has to find new cleaners willing to work for a lower wage. Marie-Line soon finds new workers willing to work hard for low pay, but there's a catch -- most of them are illegal aliens, smuggled into France from Africa, Albania, or the Middle East, and when police begin asking questions about Marie-Line's new cleaners, she has to scramble to cover for them.

The disappearance of a young woman puts two forensic police officers on the trail of a serial killer. Their fears are confirmed by the discovery of several corpses, what follows is a long hunt across Paris.

Lionel has a way with women. His sexual exploits make his friends jealous. One of them, Alain, challenges him to seduce a beautiful woman picked at random, fall in love with her and spend a night with her — but abstain from making love.

At the time of the Battle of Normandy in 1944, French paratroopers of the Special Air Service carried out commando actions in Brittany.

This "heist" film tells the story of a robbery in a stadium during the Le Mans 24 hour motorcycle race. Throughout the film are constant references to other movies in the genre. A policeman investigating the robbery is surprised to discover that the heist bears striking resemblance to the robbery depicted in Stanley Kubrick's 1956 film, The Killing. The robbery itself was perpetrated by Bernard, an ex-racer who dedicates the theft to a dead peer. He enlists the help of Thierry and several others to steal 6 million francs from the gate. He and his gang then hideout in the stadium until the race is over. Things are working against Bernard though. Two martial-arts experts try to cut in on the action. A gang member's girlfriend squeals to the cops, and an Arab assistant is killed.

A large family crams into a three-room flat in a drab suburb.Twelve people ,soon joined,out of the blue, by the prodigal son, released from jail.To make matters worse,the TV set , then the sofa and finally the refrigerator vanish into thin air.Neverthelesss, life goes on ,with mom's nervous breakdowns , dad's absences ;The daughter, Julie, an abandoned social worker,is always sobbing ; her sister , rehearsing the "Hebrew slaves chorus" is eagerly waiting for her drafted fiancee.

The film is a wonderfully accurate portrayal of the three stories: The stories are tied together with original dialogue and scenes by Martha / Anne / Freda / Judith (Valérie Stroh) and René Feret which follow a Golden Notebook/Anna Wulf theme: she is "writing" the stories and has a boyfriend named Paul who is a psychiatrist. A Man and Two Women: Anne, a young woman, a slightly bohemian painter: "in love" with her newborn, she abandons her husband while Isabelle, her best friend, attracted by to him and becomes little by little her rival. Each Other:Fréda finds her brother every morning in the secret of her bedroom,they leave themselves and incestuous effective becomes the only possible relationship for both. Our Friend Judith: Judith, a cold and warm intellectual, secret and complex - Beautiful, Judith is careful not to show it, she knows interment and that is enough. Intelligent, she does not bend to the rules of fashion nor seduction.

The French military is known for its draconian treatment of soldiers who desert or otherwise tangibly register disagreements with official policy. In this movie the story takes place during the Algerian War (late 1950s). Alain (Luc Thullier) is a deserter who has been sent back to the front lines as a member of a special disciplinary battalion. Such battalions are given only the most dangerous assignments, and most of the soldiers in them are expected to die in combat. As his unit skirmishes with the enemy, it suffers many losses until Alain is the only one left. Freed from supervision once more, he escapes again, this time to Tunisia, with the intention of trying to inform the French public about what is really happening in Algeria.

A bakery employee gives shelter to a young female addicted to drugs.

In this action thriller, Richard Anconina is Willie, a young and lonesome cop who loves lonesome cowboy music. While on a drug case Willie comes across a mulatta named Jo (model Ambre of Senegalese extraction), who is trapped in a dismal life of prostitution by two abusive Lebanese brothers. Risking his own life, Willie frees Jo from their fierce imprisonment, but the battered woman runs right back again.

Antoine Saint-Just, comrade of Robespierre and youngest member of the Committee of Public Safety, is drawn into the tempestuous political & military conflicts of France under the Terror.