Michel Scourneau

Louis and his Daddy are driving back home. Daddy is a past master at clowning, which does not necessarily make Louis laugh. At times Daddy gets awfully mad, picking on people who don't deserve it. That also does not make Louis laugh. But Daddy IS sweet. He knows how to soothe Louis when he is very very upset. And he can rock-a-bye his baby with a song by Niagara. Daddy has been rather slipshod lately. And ill-shaved. And has had hair-raising nightmares. Louis can burst into tears just because a little girl refuses a sticker he wants to give her. What's wrong with Louis and his Daddy? Written by Guy Bellinger

Franck Chaievski and Nina Delgado are two undercover detectives of a French special force trying to identify two corrupts members of the Paris Police Force. Franck is pretending to be a gangster and Nina a prostitute living with him, and involved in a robbery of a fortune in diamonds, having seven deaths and some injured persons.

Após uma briga com o chefe de policia, Hubert Fiorentini, um detetive policial, é obrigado a tirar férias. Poucos dias depois ele recebe um telefonema de um advogado do Japão, avisando que Miko, o grande amor de sua vida e que estava desaparecida há 20 anos, havia falecido recentemente. Hubert, parte imediatamente para Tóquio, onde descobre que Miko, lhe deixou duzentos milhões de dólares e a posse de Yumi, sua filha problemática. Desconfiado, Hubert, procura Momo, seu antigo parceiro na polícia, sendo que juntos descobrem a verdade em torno da misteriosa morte de Miko, e seu envolvimento com a máfia japonesa.

Leonie Koutcharev, a top civil servant at the Ministry of Interior, proposes an ideal solution to the problem of overpopulated prisons: put model prisoners in the homes of carefully screened families. Jules and Norma Klarh, a childless couple, expect to receive an inoffensive juvenile delinquent but end up with the psychopath Marcus Steckner in their suburban home. The film centers on social criticism of the gap between reality and the bureaucratic assumptions of what reality should be.

This French-German-Belgian thriller, reminiscent of Misery (1990) and The Collector (1965), begins after Fred Astaire-fan Clement (Jean Rochefort) invites comic-book artist Luc (Guillaume Canet) to Sunday dinner with Clement and his wife Violette. Luc's girlfriend Margot announces her pregnancy, prompting Luc to forget about the invitation, but Clement insists that Luc join him. After Luc arrives and sees that Violette is only a life-size plastic doll, he decides to leave but gets clobbered on the head. Awakening, he finds he's been handcuffed to the bathroom sink and gagged. Cruelties ensue, with crazed Clement getting visionary advice from both Astaire and Violette. Award-winning composer-arranger-orchestrator Philippe Haim made his feature directorial debut with this drama, and music is very much a part of the film from Haim's score and music-box melodies to tap dancing, honky-tonk piano, and a full musical comedy production number.

Drunk, Betty is feeling worse and worse, the previous evening is slowly coming back to her: her husband and her husband's family had criticized her harshly, had sent her away. But Betty hadn't wanted to get married in the first place. She knows that she always ruined everything, that she drinks to much, that she has had several affairs. Laure, who is taking care of her, suggests that Betty stay with her in the hotel where she lives, as long as Betty would like. Laure, too, finds solace and companionship in alcohol.