Alexander Koller

A film about our garbage that is found in the most remote areas and about the people who try to dispose of it. Not only in the sea and on coasts, also in the Arctic, the jungle, high up on the mountains and deep inside the desert, garbage is found almost everywhere in various forms and dimensions, sometimes as whole car wrecks, old TV sets or simply construction rubble, but mostly in the form of disintegrated plastic particles a few millimetres in size. Humanity has handed out its visiting cards thoroughly.

Mira lives for the sport of ice hockey and leads her team as captain with a strong determination. It's a challenge to reconcile this with her role in the family vineyard: with her mother and her adventurous but increasingly demented grandfather, she runs the farm - with all its responsibilities. The new player Theresa completely unsettles her with her nonchalance and openness. And when Mira's missing brother Paul also turns up and all three get lost in late-night Vienna, Mira discovers the freedom it means to break rules, to reinvent herself - and that you can only love if you let go.

Another case for Inspector Richie Haller, in which the deadly mixture of cocaine with a pinch of cyanide salt and a faker operation, which is used by drug couriers for distribution, plays a role.

Um casal que enfrenta problemas de fertilidade tem seu casamento testado durante as férias em um resort na Sardenha - e a família ao lado só aumenta a tensão.

Lisa Weber’s portrait of Claudia, who had a son when she was 15 and now lives together with him, her mother and her brother in Vienna, is an affectionate and gentle film about the passing of time and about what happens when seemingly nothing is happening.

The Bora is one of the strongest winds in the world, a force of nature. She forms landscapes and sets elements in motion. It determines everyday life and permeates the minds of the people who live in its sphere of influence.

Several billion tons of earth are moved annually by humans - with shovels, excavators or dynamite. Nikolaus Geyrhalter observes people in mines, quarries, large construction sites in a constant struggle to appropriate the planet.

'Chaos' narrates the story of three women in three different cities. They have given up on life. One lives in Damascus. She has stopped speaking to others entirely, isolating herself in her flat. The other has left Damascus as a result of the war and went to Sweden, where she imprisons herself in her paintings, hoping through them to rid herself of the torments of the past. The third ended up in Vienna and faces an unknown future, like the ghost of a woman who fled Austria after the Second World War. It is a discussion between a woman stuck in Damascus, a second stuck in exile, and a third who has recently left. It is a conversation between the interior and exterior – an impossible conversation.

O filme passa-se em Brenner Pass, região de fronteira alpina da Áustria, em que o governo austríaco anunciou a construção de uma cerca na fronteira, esperando uma mudança das rotas de refugiados para a Itália após o fechamento da rota dos Balcãs. Os moradores temem a cerca tanto quanto o afluxo supostamente ameaçador de estrangeiros para sua terra natal.

Andando em suas bicicletas afinadas, Mati e seu bando de amigos homens intimidam a vizinhança e assediam as meninas. Em sua aldeia, eles governam. Mas quando seu amigo mais próximo, Sebastian, se apaixona por Mati e sua inimiga Carla se transforma inesperadamente em uma amiga, Mati corre o risco de perdê-la entre seus amigos homens. Enquanto isso, os pais de Mati precisam tomar uma decisão: o que é mais importante, as aparências ou a realidade?

The film introduces viewers to Vienna's animal shelter and its inhabitants.

Rapazes tranquilos de dia, reis de noite. O filme segue um grupo de jovens ciganos búlgaros que vêm a Viena em busca de liberdade e dinheiro rápido. Eles vendem seus corpos como se isso fosse tudo o que têm. O que os conforta, tão longe de casa, é a sensação de estarem juntos. Mas as noites são longas e imprevisíveis.

Twins look alike. Sometimes they even think alike. But they're two rather than one. I Am Me is in part about the fact that an individual is more than the sum of his or her characteristics. The fact that a person is neither what other people say about them nor their own description of themselves. And photographs and moving images are nothing more than representations.

Segunda Guerra Mundial, 1942. O filme traz um retrato da Batalha de Stalingrado vista pelos olhos dos alemães. A história segue um grupo de soldados alemães, desde o fronte italiano no verão de 1942 até as estepes congeladas da Rússia soviética e terminando com a batalha por Stalingrado. Através deles são mostrados os horrores da guerra, o medo, a esperança e todas as emoções dos combatentes envolvidos. Uma descrição da brutal batalha de Stalingrado, a "Waterloo" do Terceiro Reich, vista pelos olhos do oficial alemão Hans von Witzland e por seu batalhão.