Kanta Ramsay

Filmes

Bandh Darwaza
Co-Producer
Unable to conceive, Thakurain Lajjo enlists the help of her maid, Mahua, and approaches a demon named Nevla, who assures her that she will indeed give birth but if it's a daughter, then she must surrender her to him, to which she agrees. Shortly thereafter, she gives birth to a daughter, Kamya, but refuses to surrender it. Mahua poisons her, abducts Kamya, and takes her to Nevla, but Thakur Pratap Singh intervenes just in time, banishes the former to a coffin in a cavern, and rescues his daughter. 18 years later, Kamya herself will be compelled to approach and resurrect Nevla in order to win the love of Kumar - who she is obsessed with - and will do anything to make him her's forever.
Purana Mandir
Producer
Suman lives a wealthy lifestyle along with her widower dad, Thakur Ranvir Singh, and an unmarried aunt, Damyanti, in a palatial house in Bombay. They are direct descendants of Raja Hariman Singh of Bijapur. When Ranvir finds out that Suman is in love with a middle-classed male, Sanjay, he expresses displeasure and forbids her to ever see him again. When she persists, he tells her that there is a curse on the entire family - a curse that was inflicted 200 years ago by a blood-thirsty, flesh-eating demon named Samri.
The Tinkling of Anklets
Assistant Art Director
Thakur Ranjit Singh buys the enslaved Kajal's freedom and gives her the status of a daughter-in-law... much to the disgust of his uncle, Jasbir. When the sleazy Shakal turns up and arranges a secret meeting with Kajal, Ranjit believes that he has caught his beloved being unfaithful. He exacts a fearful retribution. Obligingly, Jasbir destroys the evidence. Ranjit finds himself being plagued by the restless spirit of Kajal as well as a suspicious policeman. Seeking respite in Bombay, he is stunned to see Kajal's doppelganger, a nurse called Kiran. Unnerved, he brings Kiran home with him and finds himself falling in love again. The mystery deepens when Kajal's vengeful spirit murders the usurper, sending Ranjit over the edge and into an asylum.