Self (archive footage)
My mother googles the film hero of her youth: Helmut Berger. She is shocked: only an addicted shadow of the former icon seems to be left. She decides to halt the obvious catastrophic decline of the once “most handsome man in the world”. As a consequence, this one-time god of the screen is suddenly sitting on my mother’s sofa in Nordsehl in Lower Saxony. And he stays put - for several months. While he trustingly rolls out his whole life before us, the dividing lines between film team, world star and family intermingle. This is a film about ageing, rising and falling - and about the fact that it is sometimes possible to regain an element of dignity in life.
Self
Executive Producer
A dark and atmospheric story of female friendship tested by deceit, betrayal and a terrifying past. Susan, outwardly confident and Becky, more fragile and shy, both in their late twenties, are inseparable friends. But both women have secrets they have not shared, some recent, some long past and deeply buried. When, on a weekend trip to Dartmoor, they encounter the charismatic Chris, they are led into a web of mind games, sexual deceit and betrayal. As Becky's traumatic involvement in Chris' own damaged past is revealed, a psychological journey swiftly becomes a fight for survival.
Self (archive footage)
DANNY SAYS is a documentary unveiling the amazing journey of Danny Fields. Fields has played a pivotal role in music and culture with seminal acts including: the Doors, the Velvet Underground, the Stooges, MC5, Nico, the Ramones and beyond.
Director
Drama - - Demian Gabriel, Nicole LaLiberte, Viva
Self
James Rasin's documentary “Beautiful Darling” honors American Transgender actress and best-known Warhol Superstar, Candy Darling, and her all-too-brief life and career, with a combination of current and vintage interview material, rarely seen archival photos and footage, and extracts from Darling's movies.
Takes an in-depth look at the lives and times of the people who hung out with Andy Warhol and "worked" at the Silver Factory during the Sixties, making it all click as a new counter-culture arose and began to exert its influence throughout the arts.
Himself
Esther Robinson's portrait of her uncle Danny Williams, Warhol's onetime lover, collaborator and filmmaker in his own right, offers a exploration of the Factory era, an homage to Williams's talent, a journey of family discovery and a compelling inquiry into Williams's mysterious disappearance at age 27.
Self
Ric Burns unearths rarely seen footage and offers keen observations on the life and artistic influence of Andy Warhol. [Made for and aired on PBS's American Masters series.]
Himself
The film icon/Andy Warhol darling is interviewed is his legendary cluttered apartment.
Director
Vera von Lehndorff is a Prussian noblewoman and daughter of the Count Lehndorff, a leader of the anti-Nazi resistance, executed during WW II. She was discovered in 1959 by Italian photographer Ugo Mulas. After initial failure, she changed her name to Veruschka, became one of the first top models and was also considered for a long time one of the most beautiful women in the world. Muse to Antonioni in Blow up, and to Dalì, in the 1960s she was on the cover of magazines like Life, Vogue and Queen, and photographed by the most important talents of the time (Avedon, Newton). In 1965 she began working on "transfigurations", which would lead to body art, where make-up becomes real body painting: from cat-woman, to snake, plant, mineral, African idol and finally to an immortal metallic body (for Rubartelli, director of the films Stop Veruschka and Trülzsch) which survives the natural decay of objects over time.
Himself
Andy Warhol described Jackie Curtis as “A pioneer without a frontier.” In this biographical documentary, Curtis’s co-workers and friends speak of her work and her influence, along with clips from Curtis’s Warhol films as well as never-before-seen footage from her stage shows.
Himself
A Cannes red carpet tribute for three iconic protagonists of Warhol's Factory glory days.
Himself
Andy Warhol, one of the most influential artists of the 20th century (who also coined the immortal catchphrase "In the future, everyone will be famous for 15 minutes"), gets the definitive treatment. This film includes a look into his inner circle and examines both his artistic and personal impact on society. From day-glo Marilyns and Elvises to Campbell's Soup cans to the groovy 1960s and '70s, step into the limelight of the Warhol world.
Documentary about American artist and former Warhol superstar, Brigid Berlin.
Himself
The life and times of Baltimore film maker and midnight movie pioneer, John Waters.
Himself
A look into the many lives of Christa Päffgen, otherwise known as Nico; from cutie German mädchen to the first of the supermodels, to glamorous diva of the Velvet Underground, to cult item, junkie and hag. Many faces for the same woman, whom, you realize, just couldn't bring herself to care enough to live.
Himself
Not a documentary in the strictest sense of the word. Rather, it is a journey through the world of the artist Jonas Mekas - one of the exponents of independent U.S. movies; founder and director of the New York Anthology Film Archive.
Director
Anthony Kiedis and Sofia Coppola try to escape the fashion influence of Debbie Harry.
Self
At age 73, writer and melancholy master of the bon mot, Quentin Crisp (1908-1999), became an Englishman in New York. Nossiter's camera follows Crisp about the streets of Manhattan, where Crisp seems very much at home, wearing eye shadow, appearing on a makeshift stage, making and repeating wry observations, talking to John Hurt (who played Crisp in the autobiographical TV movie, "The Naked Civil Servant"), and dining with friends. Others who know Crisp comment on him, on his life as an openly gay man with an effeminate manner, and on his place in the history of gays' social struggle. The portrait that emerges is of one wit and of suffering.
Self (archive footage)
Documentary portrait of Andy Warhol.
Story
Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.
Screenplay
Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.
Director
Spike Fumo is an Italian kid apsiring to be a boxer. He falls in love with a rich girl, who turns out to be the daughter of a Mafia boss. Spike is threatened to leave Bensonhurst by the mob, and then goes to a poverty-stricken Puerto Rican part of Brooklyn.
Himself
The first major profile of the American Pop Art cult leader after his death in 1987 covers the whole of his life and work through interviews, clips from his films, and conversations with his family and superstar friends. Andy Warhol, the son of poor Czech immigrants, grew up in the industrial slums of Pittsburgh while dreaming of Hollywood stars. He went on to become a star himself.
Writer
The plot centers around old Beethoven's fixation on the welfare of his nephew, for whom he fought a lengthy custody battle against his brother's former wife. Beethoven thought she was a bad influence on the boy. Sadly, the nephew isn't receptive to Beethoven's "overtures", and resents his boorish uncle's efforts on his behalf. The nephew is a complete nonentity, lacking in both interest and talent. He seems to wish only to be left alone.
Director
The plot centers around old Beethoven's fixation on the welfare of his nephew, for whom he fought a lengthy custody battle against his brother's former wife. Beethoven thought she was a bad influence on the boy. Sadly, the nephew isn't receptive to Beethoven's "overtures", and resents his boorish uncle's efforts on his behalf. The nephew is a complete nonentity, lacking in both interest and talent. He seems to wish only to be left alone.
Director
A computer hacker uses his high-tech skills to get into personal computers, and from their into their homes. His sister is the only chance the world has of stopping him.
Screenplay
On the mean streets of New York City, a dog-eat-dog mentality reigns among the destitute citizens. In one of the many abandoned buildings in the neighborhood of Alphabet City lives the Brazilian Rita La Punta, along with her delinquent son, Thiago, and a gang of Hispanic teens charged with selling heroin and cocaine. When Rita and her young gang members get involved in a minor turf war, the violence escalates out of control, touching everyone and sparing no one.
Director
On the mean streets of New York City, a dog-eat-dog mentality reigns among the destitute citizens. In one of the many abandoned buildings in the neighborhood of Alphabet City lives the Brazilian Rita La Punta, along with her delinquent son, Thiago, and a gang of Hispanic teens charged with selling heroin and cocaine. When Rita and her young gang members get involved in a minor turf war, the violence escalates out of control, touching everyone and sparing no one.
Director
A young hustler tries to get drug money by selling a boy to a middle-aged man; his plans are disrupted when the kid dies.
Self
Durante o 35º Festival de Cannes em 1982, Wim Wenders pediu a vários diretores de cinema para entrar em um quarto de hotel, um de cada vez. Uma vez lá dentro, eles deveriam responder a uma única pergunta na frente da câmera: “Qual é o futuro do cinema?”
Malibu Party Guest
Two literary women compete for 20 years: one writes for the critics; the other one, to get rich.
Writer
Madame Wang's is a story about a Sadomachistic East German, (played by Patrick Shoene) who comes to L.A. looking for Jane Fonda to help lead the revolution.
Director
Madame Wang's is a story about a Sadomachistic East German, (played by Patrick Shoene) who comes to L.A. looking for Jane Fonda to help lead the revolution.
Writer
Director Paul Morrissey applies a hefty dose of humor to Sir Arthur Conan Doyle's classic detective story in this interpretation of The Hound of the Baskervilles. Comedian Peter Cook takes on the role of brilliant detective Sherlock Holmes, who's not so gifted here as he relegates much of the investigation of demonic dogs to his bumbling sidekick, Watson (Dudley Moore), while he spends time with his mother and searches for an assistant.
Director
Director Paul Morrissey applies a hefty dose of humor to Sir Arthur Conan Doyle's classic detective story in this interpretation of The Hound of the Baskervilles. Comedian Peter Cook takes on the role of brilliant detective Sherlock Holmes, who's not so gifted here as he relegates much of the investigation of demonic dogs to his bumbling sidekick, Watson (Dudley Moore), while he spends time with his mother and searches for an assistant.
Writer
O Conde Drácula (Udo Kier) sabe que se ele não beber uma certa quantidade de sangue virgem seu destino será passar a eternidade dentro de seu caixão. O assistente do Conde, Anton (Arno Juerging), sugere que eles viajem para a Itália, onde a tradição religiosa propicia a existência de noivas virgens. E lá eles encontram uma família em que há quatro jovens irmãs prestes a se casar.
Mas quando o Conde começa a preparar seu ataque, ele também descobre que nem todas as moças são tão puras como se poderia imaginar. Drácula tem pouco tempo para descobrir qual delas é realmente virgem.
Director
O Conde Drácula (Udo Kier) sabe que se ele não beber uma certa quantidade de sangue virgem seu destino será passar a eternidade dentro de seu caixão. O assistente do Conde, Anton (Arno Juerging), sugere que eles viajem para a Itália, onde a tradição religiosa propicia a existência de noivas virgens. E lá eles encontram uma família em que há quatro jovens irmãs prestes a se casar.
Mas quando o Conde começa a preparar seu ataque, ele também descobre que nem todas as moças são tão puras como se poderia imaginar. Drácula tem pouco tempo para descobrir qual delas é realmente virgem.
Screenplay
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre, and hilarious orgy of death and dismemberment.
Director
Within the decadent walls of the Frankenstein mansion, the Baron and his depraved assistant Otto have discovered the means of creating new life. As the Baron's laboratory begins to fill up with stitched body parts, the Baroness dallies with the randy new manservant and soon the decadent, permissive household is consumed by an outrageous, bizarre, and hilarious orgy of death and dismemberment.
Producer
Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.
Writer
Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.
Director
Donna and Jane are two American hippies, searching for sex and romance in Paris but, mainly, rich husbands. Eventually, Donna finds a perfume industrialist, Michael, who wishes to marry her, providing she will accept sharing his special friendship with local gigolo Max. Drama ensues as Michael changes his mind when meeting Jane, but all is well that ends well.
Himself
David Bailey, self-taught photographer and one of the prime architects of the Swinging Sixties, broadened his horizons in the early 1970s by making high-profile documentaries for ATV. With his standing among the artistic community, Bailey was given unprecedented access to Pop Art legend Andy Warhol and his followers, in an attempt to penetrate behind the expressionless exterior of a man who was one of the most controversial figures of his generation.
Story
Joe Davis é um ator desempregado em busca do estrelato, para isso se aproxima de um ex-estrela hollywoodiana decadente e bem mais velha do que ele. Um romance entre ele, mãe e filha desencadeia ciúmes, loucura e um plano de assassinato. Último filme da Trilogia Paul Morrissey, produzido por Andy Warhol. Da trilogia fazem parte os filmes Flesh, Trash e Heat.
Director of Photography
Joe Davis é um ator desempregado em busca do estrelato, para isso se aproxima de um ex-estrela hollywoodiana decadente e bem mais velha do que ele. Um romance entre ele, mãe e filha desencadeia ciúmes, loucura e um plano de assassinato. Último filme da Trilogia Paul Morrissey, produzido por Andy Warhol. Da trilogia fazem parte os filmes Flesh, Trash e Heat.
Director
Joe Davis é um ator desempregado em busca do estrelato, para isso se aproxima de um ex-estrela hollywoodiana decadente e bem mais velha do que ele. Um romance entre ele, mãe e filha desencadeia ciúmes, loucura e um plano de assassinato. Último filme da Trilogia Paul Morrissey, produzido por Andy Warhol. Da trilogia fazem parte os filmes Flesh, Trash e Heat.
Self
With a rambling, unstructured style that echoes Andy Warhol’s own approach to filmmaking, this documentary profiles his career, showing him to be a brilliant manipulator, dedicated voyeur and person of astute commercial judgment.
Executive Producer
Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.
Editor
Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.
Writer
Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.
Director
Three women join a militant feminist group, P.I.G. (Politically Involved Girls), but their newfound liberation doesn't make them any happier.
Director
One camera in one setting, one attic and eight young directors – the result is a unique Dadaistic collage of seven short sketches. The original task for each filmmaker was to keep each short under three minutes, to set it in one hotel room, and to include the sentence “I miss Sonja Henie." This experimental film was shot over a single night at the international film festival FEST in Beograd in 1971.
Cinematography
Segundo filme da trilogia de Paul Morrissey e Andy Warhol. Joe (Joe Dallesandro) um rapaz viciado em heroína vive com sua namorada, Holly (Holly Woodlawn), num apartamento minúsculo e abarrotado de lixo em Manhattan. Lixo à que Holly recorre todos os dias para revender e também para mobiliar a casa. Lixo que preenche o vazio e o desespero dos dois. Eles tentam com o governo a adoção de um bebê a fim de se beneficiarem da assistência social. No entanto, apesar dos seus sonhos, o casal parece condenado a permanecer às margens da sociedade, rodeado pelo lixo. Lou Reed imortalizou em música e verso os dois personagens em “Walk on the wild side”.
Editor
Segundo filme da trilogia de Paul Morrissey e Andy Warhol. Joe (Joe Dallesandro) um rapaz viciado em heroína vive com sua namorada, Holly (Holly Woodlawn), num apartamento minúsculo e abarrotado de lixo em Manhattan. Lixo à que Holly recorre todos os dias para revender e também para mobiliar a casa. Lixo que preenche o vazio e o desespero dos dois. Eles tentam com o governo a adoção de um bebê a fim de se beneficiarem da assistência social. No entanto, apesar dos seus sonhos, o casal parece condenado a permanecer às margens da sociedade, rodeado pelo lixo. Lou Reed imortalizou em música e verso os dois personagens em “Walk on the wild side”.
Writer
Segundo filme da trilogia de Paul Morrissey e Andy Warhol. Joe (Joe Dallesandro) um rapaz viciado em heroína vive com sua namorada, Holly (Holly Woodlawn), num apartamento minúsculo e abarrotado de lixo em Manhattan. Lixo à que Holly recorre todos os dias para revender e também para mobiliar a casa. Lixo que preenche o vazio e o desespero dos dois. Eles tentam com o governo a adoção de um bebê a fim de se beneficiarem da assistência social. No entanto, apesar dos seus sonhos, o casal parece condenado a permanecer às margens da sociedade, rodeado pelo lixo. Lou Reed imortalizou em música e verso os dois personagens em “Walk on the wild side”.
Director
Segundo filme da trilogia de Paul Morrissey e Andy Warhol. Joe (Joe Dallesandro) um rapaz viciado em heroína vive com sua namorada, Holly (Holly Woodlawn), num apartamento minúsculo e abarrotado de lixo em Manhattan. Lixo à que Holly recorre todos os dias para revender e também para mobiliar a casa. Lixo que preenche o vazio e o desespero dos dois. Eles tentam com o governo a adoção de um bebê a fim de se beneficiarem da assistência social. No entanto, apesar dos seus sonhos, o casal parece condenado a permanecer às margens da sociedade, rodeado pelo lixo. Lou Reed imortalizou em música e verso os dois personagens em “Walk on the wild side”.
Executive Producer
Viva and Louis Waldon spend an idyllic afternoon together in an apartment in New York City.
The Party
Joe Buck é um simplório jovem texano que decide abandonar seu passado conturbado e se muda para Nova Iorque, onde tentará ganhar a vida como garoto de programa para mulheres ricas. Mas sua excessiva ingenuidade o impedirá de ganhar dinheiro se prostituindo. Em uma de suas caminhadas, encontra Rizzo, um aleijado que sobrevive de pequenos golpes e furtos e com quem terá um laço de amizade. Filme baseado no romance homônimo de James Leo Herlihy, lançado em 1965.
Director of Photography
É mostrado um dia na vida de Joe, um garoto de programa bissexual, que se prostitui por alguns trocados e ainda se diverte com algumas beldades do submundo de New York. Primeiro filme de Morrissey para Andy Warhol. Os outros filmes da Trilogia são Trash e Heat.
Author
É mostrado um dia na vida de Joe, um garoto de programa bissexual, que se prostitui por alguns trocados e ainda se diverte com algumas beldades do submundo de New York. Primeiro filme de Morrissey para Andy Warhol. Os outros filmes da Trilogia são Trash e Heat.
Director
É mostrado um dia na vida de Joe, um garoto de programa bissexual, que se prostitui por alguns trocados e ainda se diverte com algumas beldades do submundo de New York. Primeiro filme de Morrissey para Andy Warhol. Os outros filmes da Trilogia são Trash e Heat.
Writer
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Editor
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Cinematography
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Producer
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Director
Five lonesome cowboys get all hot and bothered at home on the range after confronting Ramona Alvarez and her nurse.
Director
Viva and Taylor Mead are a married couple renting an extra beach-house to a group of surfers sent to them by a Mr. Morrissey of La Jolla Realty. Their daughter, Ingrid Superstar, is pregnant and on the hunt for a husband. Mr. Mead, who is gay, tries to pawn her off to one of the surfers. Meanwhile, Viva wants a divorce from her boy-crazy hubby, who wants a surfer of his own. Tom, a surfer, is inveigled by Mr. Mead to urinate on him. In a close-up, Mr. Mead receives Tom's offering ecstatically, after which he comments, "I'm a real surfer now."
Director
Ondine is a gay man attempting to re-adjust his sexuality via various encounters with different women. After trying his luck with three women, Ondine becomes a background character in a sequence in which a group of Latin American men, calling themselves The Bananas, engage in a food fight. Ondine then engages in a wrestling match with Joe Dallesandro, who is married to Brigid Berlin.
“The film flickers through a millennium of culture as it would appear to a tourist. It is an intense film, yet there is an incredible wealth of information surprisingly accessible. Aside from the exciting experience itself, the breakneck history lesson is a reminder that the mind can move in lightning steps: The plodding way information is typically presented is an insult to mental capability.” - Bartlett Naylor
Director of Photography
Joe Spencer, a member of a motorcycle gang, is taking a shower. After his bout with personal hygiene, Joe encounters Andy Warhol's "superstars," who engage him in conversation. The superstars crack jokes he doesn't understand and continually correct his poor pronunciation in an attempt to deflate his machismo. In response to these provocations, Joe becomes more obscene and more boasting, but ultimately, he cannot compete with the put-downs that are part of the put-on performances of the Warhol superstars, who prevail over him in the end.
Director
Morrissey and Warhol's commercial take on the Swedish film I, A Woman. Somebody suggested to Warhol that they wanted a sexploitation film in the vein of I, A Woman, and so he and Morrissey concocted I, A Man. They created the story of this male hustler who talks with and sleeps with a series of women over the course of the film. The women are: a young woman who worries about parental acceptance of her sexuality, a woman who is on a couch, a woman with whom he does a seance, a woman who speaks French, a lesbian, and a married woman.
Sound
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.
Himself
Documentarians Juan Drago and Bruce Torbet follow a surprisingly relaxed and open Andy Warhol, at the peak of his powers in 1965 and 1966, around his bustling original "Factory" in midtown Manhattan. Warhol experiments with an early videotape machine, recording a beautiful, laughing Edie Sedgwick - his "superstar" of the moment - for the video portion of "Outer and Inner Space," his filmed record of the "live" Sedgwick juxtaposed against her video image on an adjacent monitor. Also captured is a Warhol show at the Leo Castelli gallery, including the famous Mylar "Clouds," as various unnamed art dealers and critics muse in voiceover about the meaning and significance of Warhol's work.
Cinematography
A series of Andy Warhol’s screen tests, focusing on an actor’s face for 4-5 mins.
Cinematography
One of Andy Warhol's screen tests, focusing on an actor's face for 4-5 mins.
Director
Lacking a formal narrative, Warhol's mammoth film follows various residents of the Chelsea Hotel in 1966 New York City. The film was intended to be screened via dual projector set-up.
Camera Operator
Documents each member of The Velvet Underground having their cards read at a big apartment party. The tarot reader is continually interrupted in her readings by the chaos created by the characters around her.
Camera Operator
Or "Moe in Bondage" - The "Moe" of the title is the Velvet Underground's drummer, Maureen Tucker, whose band-mates have tied her to a chair and are now hanging around nibbling on sandwiches and pieces of fruit.
Director
The film depicts a rehearsal of The Velvet Underground including Nico, and is essentially one long loose improvisation.
Camera Operator
Set on Fire Island, My Hustler depicts competition over the affections of a young male hustler among a straight woman, a former male hustler, and the man who hired the boy's companionship via a "Dial-A-Hustler" service.
Cinematography
Andy Warhol (Rene Ricard) invites a friend (Edie Sedgwick) over to his apartment one evening to discuss his career. As they talk, the truth about how Warhol uses and then throws people away comes out. The woman begins to come undone and reveals to Warhol how he ruined her life with drugs and false promises of fame.
Director of Photography
Andy directs Lou Reed drinking a Coke.
Director of Photography
Screen Test: Helmut, by Andy Warhol, is a five minute silent black and white continuous close-up of a young man’s face. The face remains deathly still other than the occasional blink or involuntary bat of his eyelash. The film is slowed down to about 24-frames per-second to capture these slight movements a bit better, but other than this and the choppy fade-in’s and out’s at the beginning and end respectively, nothing changes throughout the film.
Self
The films were made between 1964 and 1966 at Warhol's Factory studio in New York City. Subjects were captured in stark relief by a strong key light, and filmed by Warhol with his stationary 16mm Bolex camera on silent, black and white, 100-foot rolls of film at 24 frames per second. The resulting two-and-a-half-minute film reels were then screened in 'slow motion' at 16 frames per second.
Director
A young man and a young woman seated on a sofa use the traditional tools to inject drugs into their veins.
Cinematography
Ronald Tavel taunts Philip Fagan, who lacks the verbal dexterity to counter the clever spider’s web of words that Ronald Tavel weaves to ensnare him, so that Fagan’s only response is to refuse to respond and stare silently off-screen, turning the screen test into a strange form of psychodrama.
Director of Photography
Andy directs Edie for a screen test.
Director
A young man smokes a cigarette and then uses a surgeon scalpel to wound his thigh.
Director
A young man reads a comic depicting what the title says. We see his face and reactions. He finally finishes the book and leaves the scene.
Director
Tayor travels in his white Rolls Royce to the Second City nightclub, where he dances. With Tayor Mead, Katherine Roberts, and Roberts Blossom.
Diane the Zebra Woman follows four women’s misadventures through the streets of New York City in 1962. All played by Flame Schon, the characters consist of The Detective, The Mother, The Child, and the Medium. Evocative of the scene from which it emerged, the film features cameos from integral figures like William Levy, Jonas Mekas, Paul Morrissey and features an original score composed by Malcolm Goldstein.
Self
Legendary filmmaker Paul Morrissey waxes disgruntled about sex, religion, & art.
