Diana Dell'Erba

Filmes

The Man Who Drew God
The rise and fall of a blind artist who has the extraordinary gift of making true-to-life portraits just by listening to human voices, and of becoming a TV-junk star. A fable on the need to rediscover the miraculous power of dignity in a world where media's noise has solved the problem of man's imperfection simply by removing the problem itself.
Milarepa
The Broken Key
Sarah Eve
In a near future, due to the effects of an uncompromising law on the eco-sustainability of supports, paper has become a rare item, a luxury possession, controlled by the "Big Z": Zimurgh Corporation.
Women Directors
Director
Registe, talking on a blade is an Italian documentary about the Italian Cinema signed by women and about the pioneer of the Silent Cinema Elvira Notari (1875-1946) plays by Maria De Medeiros. The directors interviewed are the most important Italian women directors: Lina Wertmüller, Cecilia Mangini, Francesca Archibugi, Francesca Comencini, Wilma Labate, Cinzia Th Torrini, Roberta Torre, Antonietta De Lillo, Giada Colagrande, Donatella Maiorca, Ilaria Borrelli and others.
The Mystery of Dante
Producer
A journey in the footsteps of the most famous initiate of Italian Trecento, the author of the celebrated "Divine Comedy". A poet who has inspired some of the most outstanding minds in History.
The Mystery of Dante
Passion
A journey in the footsteps of the most famous initiate of Italian Trecento, the author of the celebrated "Divine Comedy". A poet who has inspired some of the most outstanding minds in History.
Rasputin
Set Photographer
Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.
Rasputin
Zarina Alessandra Feodorovna
Grigorij Efimovic Rasputin (1869-1916) the mystic and self-proclaimed holy man. The saint-demon and the simple peasant. About the plot against Rasputin, hated and feared at the highest levels of government because of his surreal influence on the Tsar.