Paul Bacher is in crisis. If he could feel in the past as one of the most influential writers of his generation, he has long lacked ideas and impetus for a new great work. His reading tours are becoming more and more a sad affair with too much alcohol and too little public. Then Paul overflows in a drunken hitchhiker, flees first scared and later removes the body, without talking to anyone about the experience. But something is flowing in its interior. Paul starts to write again. The criticism is done, but the story about the death of a hitchhiker also arouses suspicion.
Johannes Klare é o pregador carismático de uma igreja autónoma situada em Stuttgart, auxiliado por sua dedicada esposa, Lydia e seu primo Bernd Trampe. Ao encontrar Simon Rützel, um rapaz sem-teto e viciado, o casal sem filhos o leva para sua casa e começa a pensar nele como um filho perdido. Descobrindo a natureza homossexual de Simon, Johannes decide não expulsá-lo, mas na ausência de Lydia, durante um fim de semana, Simon acredita, com razão, que Johannes reprimiu sua própria homossexualidade por anos.
Success is a question of confidence, particularly in times of crisis. Life would be unbearable if there weren’t beautiful things to brighten it up a little, including pretty faces. Frank Knöpfel constantly flirts with life with his beguiling bright blue eyes. He buys a complete stranger an expensive coat in a designer boutique just because he feels like it. He disguises himself as a businessman from Oslo, a Mafia boss, a stock exchange specialist and an estate agent, whatever it takes to bring in the cash. He is the type of person who enjoys looking in the mirror, and delights in what he sees there. A flirtation with a customer in a boutique leads to Frank’s undoing.
The single package-delivery woman Dora lives a somewhat reclusive life in a high-rise in Leipzig and gets through everyday life with her dry sense of humor. But her quiet, well-ordered life spins out of control when she has to hide her mysteriously fascinating Polish neighbor Jola – who believes to have accidentally killed someone. Dora is hesitant at first to take her in, but she cannot seem to shake her fascination with Jola. Dora's trust in the direct, impulsive woman grows – Jola seems to ask exactly those questions no one else dares to ask. When Dora finds out that the accusations against Jola have been lifted, she lies about the status of the police investigation in order to keep her Polish neighbor for herself.
