Writer
Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.
Director
Hamdija Šahinpašić (1914-2003) was one of those rare individuals able to memorize songs in their authentic traditional form. Šahinpašić belonged to a family known for its songs. In the early 1950's, Miodrag A. Vasiljević recorded Šahinpašić singing dozen of songs at the Serbian Academy of Arts and Sciences in Belgrade. A 1967 publication finally included 300 of his songs, published bilingually in Bosnian and Russian. Šahinpašić himself become the focus of attention of numerous ethnomusicologists and folklorists and his repertoire was preserved on recording of good quality.
Script Consultant
“Adeus, Belle Époque! Houve esplendor, meus amigos, mas temo que este seja o fim. Nada será igual novamente, tudo irá pelo ralo. Toda a beleza desta época será destruída por chamas e raiva. Belle Époque, esta é a despedida. Aufedersein, Adieu, Prascaj.” Um filme sobre os últimos dias de uma época conhecida na história da Europa como “Belle Époque”, tempo de eventos turbulentos na Bósnia, marcado pela ação de jovens anarquistas da organização nacionalista “Jovem Bósnia”, que militava contra o domínio do Império Austro-Húngaro.
