Maurizio Antonini

Nascimento : , Rome, Italy

Filmes

Padre Pio
Executive Producer
It is the end of World War I and the young Italian soldiers are making their way back to San Giovanni Rotondo, a land of poverty, with a tradition of violence and submission to the iron-clad rule of the church and its wealthy landowners. Families are desperate, the men are broken, albeit victorious. Padre Pio also arrives, at a remote Capuchin monastery, to begin his ministry, evoking an aura of charisma, saintliness and epic visions of Jesus, Mary and the Devil himself. The eve of the first free elections in Italy sets the stage for a massacre with a metaphorical dimension: an apocalyptic event that changes the course of history.
Le Musk
Line Producer
Juliet Merdinian, who, 20 years since she was orphaned, seeks out the men who changed her destiny with one powerful memory - that of their scent.
Un'estate ai Caraibi
Silvio Berlusconi
Several groups of Italians experience amusing adventures and tests of character on the Caribbean island of Antigua. Some of the characters are there simply for rest and relaxation, while others act with different motivations. Multiple plot lines unfold simultaneously as different characters' stories are presented.
Bye Bye Berlusconi!
Maurizio Antonelli/Topolino
It's Easier for a Camel...
Co-Producer
As a little girl, Federica fantasized about having beautiful long hair that would grow back as soon as she cut it, about never-ending cones of cotton candy and about countless adventures that took her to the far side of the world. Now a charming thirty-something-single woman, Federica's fantasies have evolved, adding lovers, stardom, and motherhood to her waking dreams, where Federica continues to press for her everyday life to be as real as the fantasies that invade her. Unfortunately, Federica's daydreams can only provide a meager distraction from the reality she faces. Her career as a successful playwright is heading south, her boyfriend is pressuring her to start a family, a former lover wishes to rekindle an old affair, her sister is barely talking to her, her brother is self-centered and her loving father is terminally ill. And as if to make matters worse, Federica is rich, too rich, and the guilt that consumes her because of it is pushing her over the edge.