Andrey Makarov

Contemporary Moscow. A publisher hires a band of hack writers to kill a famous author so she can steal his book. They find that committing a murder in real life is not quite as simple as writing about one in a thriller novel.

This is an ironic, sometimes frankly ridiculous and at the same time sad story about the everyday life of the so-called “upper middle class” - glorified by Woody Allen in America, but still very small in Russia among wealthy citizens. In addition to the enviable affluence, all these businessmen, movie directors, fashion directors, owners of dental clinics and their beautiful wives who are stuck in existential doubts and trivial adultery, are also united by their sonorous `pioneers` (Russian boy & girl scouts) past, which sometimes turns out to be much more difficult than to build a mansion in New Riga...

A lot of things happened in the life of "Yolki" hepes during the last year, but here it's again - the New Year's eve...

The funny adventures of a characters of Russian folk fairy tales in the contemporary world.

Short stories that seem to be absolutely different, none of the main characters is connected with the other one, each following story is totally unlike the previous one. Only in the end of the film the viewer gets the clear explanation of the neighborhood of the described destinies and the connection between the characters.

In the dead of night, three sorcerers meet on the outskirts of Moscow. They have been forced to work against each other for a long time. The conflict, which involves the best witchcraft forces of the capital, is a banal love triangle. Alexey is an enviable man and earns well, his wife Masha, a complex and insecure young woman, has long lived only in the interests of her family, and her lover Irina will stop at nothing in order to take her place.

This is a fractured tale of Kiwi (Iaroslav Zhalnin), a teen thief with a penchant for driving his motorcycle into traffic, playing video games and turning invisible; Alisa (Vasilisa Petina), a young model whose face is splashed all over city billboards and ads, with whom Kiwi grows fixated; and Alik (Khazizov), a metrosexual writer who roller-skates in his cavernous hard-wood-floored apartment and plucks a drunken Alisa after her fateful encounter with Kiwi. Alik, responding to Alisa’s pleas, eventually confronts the pestering Kiwi; a misunderstanding (did he rape her? did he not?) erupts into violence.

This is a fractured tale of Kiwi (Iaroslav Zhalnin), a teen thief with a penchant for driving his motorcycle into traffic, playing video games and turning invisible; Alisa (Vasilisa Petina), a young model whose face is splashed all over city billboards and ads, with whom Kiwi grows fixated; and Alik (Khazizov), a metrosexual writer who roller-skates in his cavernous hard-wood-floored apartment and plucks a drunken Alisa after her fateful encounter with Kiwi. Alik, responding to Alisa’s pleas, eventually confronts the pestering Kiwi; a misunderstanding (did he rape her? did he not?) erupts into violence.

The USSR, 1946. The main character, Mikhail Krasnitsky, travels to different cities across the country. When he arrives, he commits cold-blooded murders, for reasons that are not yet evident. The Secret Service manages to connect all of these crimes and figure out that all of the victims were former death camp inmates. However, the murderer’s motive still remains unclear.