François Pilon

The hedgehog between balloons, the feline predator on the hamster wheel, the fish in the lifebuoy: A young woman portrays herself in the best possible light in her self-description.

A prairie landscape undergoes a metamorphosis: rural idyll to over-urbanized dystopia. Director Anne Koizumi laments the changing face of her hometown of Calgary in this critique of the bacteria-like spread of suburbia and exurbia. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A little creature watches the transformation of a feather and follows a whale to where icebergs melt, leaving birds with nowhere to land. The materials used include old gloves, costume jewellery and Plasticine. Technique: puppet and object animation with drawn animation. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A figure floats in landscapes and spaces without a ground plane. There is only water. The reflected skies are endless and mirrored interiors are doubled in height. This film explores experiences within environments that are recognizable but surreal. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

A robot rambles about frenetically, receiving countless electronic messages through his antenna every second. Despite his fatigue and stress, he never slows down. The only thing that might bring his frantic journey to an end is a traffic accident. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this short animation Damien Hess attempts to connect with the tragedy of the First World War, a conflict that helped define Canada. In this film he uses imagery of the Canadian National Vimy Memorial monument in northern France to summon up names, faces and shadows that are fading from our memory. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.

In this whimsical animated short, filmmaker Rachel Peters asks: "what if the laws of physics suddenly ceased to apply?" Peters explores this question through the tale of a man and his two goldfish as they prepare for the end of the world. Technique: drawn animation, digitally coloured and composited. This film was made as part of the third edition of the NFB's Hothouse apprenticeship.