Chung Wai Man

The Looks of Hong Kong is a Hong Kong Drama directed by and starring Stanley Fung.

See http://www.lcsd.gov.hk/fp/en_US/web/fpo/programmes/2011mm/film82.html

Continuing from the first Jane Bond film, Black Rose (1965), Mei-yu and Mei-yu infiltrate the underground group of Golden Yanluo (Chinese: Judge of the Underworld) to save Man-fu and Nanny back.

Orphan Lee Dan-hung is made a scapegoat by her cousin Chor Kwai-ping. Facing drug trafficking charges, Lee is released on parole with the doctor To King-chung as guarantor. Lee works as a sanatorium nurse. The modest caretaker, Matriarch To plays matchmaker for her son To Ngan-sing and Lee. Ashamed of her past, Lee listens to the doctor's advice and keeps the Tos in the dark. Chor returns and coerces Lee into colluding with smuggling ring by threatening to kill her newborn daughter. The reluctant Lee is arrested in a police raid together with the gang members but is later acquitted. With a reputation to defend, To toughens his heart and expels Lee. Lee leaves for Borneo with a touring opera troupe but a yearning for her daughter brings her back several years later. Feeling for the upset in-law, Matriarch To grants her stay until his son's return from business in a few months' time. When To returns, he decides to make up for the wasted time by bringing Lee and her daughter home.

Chuk Tai-ming elopes to Hong Kong with Shum Tsui-hung in defiance of his father but soon succumbs to harsh conditions and ill health. Shum becomes a courtesan to fulfil Tai-ming's last wish of funding his younger brother Chi-ming's studies in Australia, while creating the false impression that she is a rich widow. Chi-ming returns in summer and a chance encounter in the nightclub evolves into a budding romance. Tormented by a love doomed from the start, Shum pretends to despise the poor suitor. The rejection is taken hard by Chi-ming, who snubs the woman in public. Shum plunges into despair, taking gravely ill. Her lawyer Lee Chung-ling finally breaks the silence, making Chi-ming attuned to the woman's unspoken suffering after she's been laid to rest.

Lawyer Fan Kam-man believes that his wife Chun Yuen-yung perished in a plane crash three years ago and walks down the aisle again with Yan Bik-kei. In fact, Chun survived a crash-landing on a deserted island with fellow passenger Wong Ah-lik, a biologist. Returning to civilisation, Chun sabotages their wedding night at the hotel. Overjoyed with her safe return, Fan pulls off a feat with his mother and wife to terrify Yan into divorcing him. However the lie is exposed when Wong shows up. Unyielding, the women settle to serve as wives to the same man. Mistaking Fan for the person Chun is going to see, the eavesdropping Yan goes to the date in her stead and unwittingly sleeps with Wong. Yan finally settles for Wong, putting an end to the topsy-turvy.

The creative person torn between ideals and reality is one of Chor Yuen's favourite characters in his 1960s films. Another favourite subject is the rose, not only featured in the title of several films but is also the name of the production company he formed with his future wife, Nam Hung, who also stars in most of its productions. Rose in Tears is in fact the company's inaugural project. The story features two painters, one famous and the other struggling but both infatuated with the same delicate rose of a woman, negotiating their ways through art, commerce and love. With this heart-tugging story, Chor finds a vehicle for his baroque impulses, relishing in lavish images and over-the-top emotions.

Wong Chat is jobless. He is forced to become a burglar. He breaks into Han Siu-yu and her boyfriend Cheung Wai-lim's home, but it is just the time when they return. Wong hides in the closet. He eavesdrops that Han and Cheung are a couple, but Han is forced to become the tycoon Chan Koon-kau's mistress for a living. Suddenly, Chan returns, and Cheung hides into the closet too. Wong and Cheung meet in the closet and become friends. Wong is righteous and promises to help Han to escape from Chan's control. Wong and his neighbour Yeung Oi-lin disguise themselves as a pair of Singaporean rich couple and attend a banquet at Chan's home. They want to steal back the document that Chan threatens Han with. But they also find evidence of Chan's drug trafficking. When Chan find out about the stolen document, he confines Cheung and Han and kidnaps Wong's children. But Wong refuses to surrender. During their confrontation, the cops arrive after being informed by Yeung and arrests Chan on the spot.

Poor teacher Chan Chi-hong, his wife Lee Yuk-mei and their five children survive on his meagre pay. When he is laid off by two schools in a row, the family runs into difficulties. The children resort to begging on the streets to pay the mother's medical bills. Turning to writing, Chan's novel fails to find a publisher and, worse still, he comes down with tuberculosis. Dealt a further blow by the death of the youngest daughter and the pressures from the loan sharks, Chan contemplates killing himself and his family but changes his mind when he witnesses the sacrifices made by other parents for their children. He vows to be a dutiful father and tries his best to overcome their adversities. His novel is finally published and sells well. Through thick and thin, the family at last sees the light at the end of the tunnel.

Kam Fan and Wong Ching-ping have a peaceful married life, until Ping's mother is serious ill. They desperately need a large amount of money. Fan tries in vain to raise money, he thus intends to use their daughter's school fees for the medical fees. Ping is against it and works as a song girl to earn money for her mother's medical expense. Her grudging husband Kam Fan uses a bed sheet to partition the bedroom into halves and even demands a divorce. After some mediation by their lawyer and neighbours, Wong finds a teaching job at an orphanage, but Fan still opposes it. Ping is so angry that she moves to live in the dormitory of the orphanage. Fan has to look after their daughter alone, making everything a mess. Later, their daughter catches a cold and has a high fever after an outing with Fan. Ping cannot set her mind at rest and goes home to take care of her daughter. The loving couple reconciles, for the sake of their daughter.

Chan Sai-wah abides by his late father's word and marries the wealthy Yam Suk-kuen. They have a son, Kwok-leung. Though Wah is manager of the hotel owned by his father-in-law, Kuen is not a good wife. For all the years of their marriage, Wah has never been happy. Attracted to the humble and honest Carrie Mui, Wah decides to leave his domineering wife Kuen, but is stopped by his father-in-law. The lovers set off to Macau for a new start. Their life has become increasingly miserable under the pressure from Yam's family. When Wah leaves to seek help from his son in Hong Kong, Carrie decides she should leave so that Wah can go without feeling any guilt or burden. On the other hand, Wah is too ashamed to face his son, and returns to Macau. He lives his life in misery. Years pass, the lovers meet again. Wah is reduced to begging in the streets while Carrie becomes an opera diva.

Hak-ming heads the Ko Family, but he and his brothers, Hak-ting and Hak-on, and the second wife of the late Master Ko quarrel. Young Cousin Mui, who has tuberculosis, is forced by to marry an older woman. Kok-sun is guilty of being unable to stop the marriage. Sun and maid Chui-wan are wary of their feelings for each other due to class difference. Cousin Mui dies of illness. Hak-ting has his eyes on Wan. His wife, Wong, complains to their daughter, Shuk-ching, who cannot take it and commits suicide. Wong blames herself for her death. Undergone these tragedies, Cousin Kam's mother let Kam have a modern wedding with Kok-man. When Ming is ill, Ting and On want to sell the ancestral home. Hak-ming dies of angst. When the fifth uncle of Sun forces Wan to be his concubine, Wan tries to kill herself but is intercepted by Sun. Pressurised by people of the house over the issue of inheritance, Sun protests by declaring his love for Wan and leaves the family, with his mother, brother Man and Wan.

Ko Suk-ying is saddened over her arranged marriage as manipulated by her father Hak-ming. Ko Kok-sun's Cousin Chow Wai's spends the Mid-Autumn Festival before her marriage with the Kos. She has been in love with Sun. Sun finds out about her love for him when she is about to be married off, he is too weak to oppose to Wai's betrothal to another man. Sun's son, Hoi-sun, falls ill. Fearing the displeasure of his elders, Sun dares not consult a western doctor. Meanwhile, another dispute arises among members of the family over the ancestral land. When accused of being incompetent in his management, Sun takes the blame silently. Wai dies of grief while Hoi-sun becomes a victim of mistreatment. Sun is devastated at this double blow. Hak-ming instructs Sun to arrange for Ying's wedding. Knowing the kind of man Ying's fiancee is, Sun is reluctant. Not wanting to follow in Wai's footsteps, Ying fights for her own rights, and backed by an enlightened Sun, she leaves for a new start.