Second Unit Cinematographer
O matemático Christian Wolff sente-se muito mais à vontade lidando com números do que com pessoas. Atualmente, trabalha como contador autônomo para uma das maiores organizações criminosas do mundo. Com a receita federal no encalço, ele resolve mudar de ares e atender um novo cliente, uma empresa de equipamentos robóticos onde um dos funcionários descobriu um desvio gigantesco de recursos. À medida que Christian se aprofunda nos registros da empresa e se aproxima da verdade, o número de cadáveres começa a crescer rapidamente.
Additional Camera
Depois do ataque de Ultron, os políticos decidem controlar os Vingadores, já que suas ações afetam toda a humanidade. A decisão coloca o Capitão América em rota de colisão com o Homem de Ferro.
Camera Operator
Tommy e Audrey são um casal tentando ter um bebê, mas não conseguem. O marido começa a duvidar de sua própria "masculinidade" e convoca seus amigos para roubar um banco de esperma do qual ele era doador.
Director of Photography
Whacked-out, muscle-bound, cross-dressing actor Beverly Jackson has been rejected for a role in Pride Playhouses nude theatrical production of "Balls Out." Furious, Beverly decides to form a diabolical cult of revenge! Meanwhile, back at the Playhouse, adorable employee Shane falls right into the arms of Ray, a lighting designer, and the two are swept into Beverly's bizarre scheme. Featuring lots of cuties, a hot romance and a twisted drag queen, you are guaranteed loads of laughs with this riotous comedy from the twisted mind of filmmaker Damion Dietz.
Director of Photography
At the beginning of a nightly Alcoholics Anonymous meeting, Jim seems particularly troubled. His sponsor encourages him to talk that night, the first time in seven months, so he does - and leaves the meeting right after. As Jim wanders the night, searching for some solace in his old stomping grounds, bars and parks where he bought drugs, the meeting goes on, and we hear the stories of survivors and addicts - some, like Louis, who claim to have wandered in looking for choir practice, who don't call themselves alcoholic, and others, like Joseph, whose drinking almost caused the death of his child - as they talk about their lives at the meeting
Cinematography
Two Manhattan slackers want to make a movie about their lives. One drives a cab, the other tends bar; neither has a clue how to make a movie. Things look up when real-life actors Phoebe Cates and Martha Plimpton agree to star in the project.
