Ilze Pukinska

Ieva has been an obedient granddaughter for years – choosing a safe career in a bank as her grandmother wanted. Her mother left the family years ago when she had to look for work abroad. That has made ties between Ieva and her grandmother especially tight. Dissatisfaction with the constant adaption to the material world is flickering under the surface and Ieva lives her dreamlife with her friends. She plays the keyboard in a girl band and stays out late. When Ieva decides to have a provocative tattoo on her arm made, her grandmother goes completely nuts.

Film takes us deep inside the world of Latvian teenagers in 90s: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skillful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise? The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava.

Uma semana na vida de Boris Arkadiev, um humorista de stand-up soviético sob grande pressão: ao mesmo tempo em que é um comediante famoso, ele é inseguro e sofre com a censura em seu país. Boris se sente ainda mais incomodado quando os próprios censores o convidam para apresentações, como se ele fosse uma espécie de bobo da corte. Cansado de ouvir ordens sobre as piadas que pode (ou não) fazer, Boris se arma com seu humor afiado para se vingar.

A comical story about two brothers living in a countryside trying to solve their problems in their own way. Kris and Otto find themselves in the middle of caricature reality of countryside lifestyle; whether it’s family support, ego bragging, gasoline marketing, or playing music anywhere you go.

A group of teenagers riding in a car for a picnic. On the way, one of the guys accidentally shoots a kidnapped girl from a car overtaken on the phone. The guy decides not to tell anyone anything, and soon terrible things start happening to him.

After his wife kicks him out of the house, an elderly, anti-social and quite conservative man Arvīds decides to reconnect with his grandson by staying with the boy and his mother. Not keen on their lifestyle, the old man tries hard to accept all the eccentricities of the young and liberal. Fortunately for him, a warm-hearted friend of Arvīds’ ex-daughter-in-law is always around to help and he seems to be a natural when it comes to children and other stubborn people. When Arvīds finds out that the young man is gay, he decides he has had enough. Often, life is not that much about finding your place, as about learning how to share that place with others. This short film is a light and playful experience, looking into the definition of “normal” that varies so strongly from generation to generation.

Dagne, her husband and teenage daughter live in a peaceful Latvian countryside. While everyone is busy with their own thing, the family ties are loosening. Dagne is diagnosed with slowly progressing deafness. Acceptance of the new situation and the need to adapt to new ways of communication, including learning sign language, is not easy for neither of them. Dagne feels left alone and not supported during this hard time of her life her. Her daughter is very busy with her music band and preparation for an upcoming contest. Her husband is occupied with work at the farm. Even simple daily things become complicated, impossible and emotionally hard.

An absurdist farce centering around a school in post-Soviet Latvia. After a rather disgusting prank (someone defecates in the school attic), the tyrannical headmistress deems that no one can leave until the culprit is caught. When the photographer's pet python escapes, havok breaks loose.