Associate Producer
A silent fisherman in Texas, a blazing oil field in North Dakota, a mysterious community in Virginia, a women’s prison in Oregon, and a modernist home in California are the ostensible subjects of Austin Lynch and Matthew Booth’s new feature, GRAY HOUSE. But as meditations upon nature, isolation, decadence, and destitution, they are flawless conduits for seamless blends of documentary and narrative form, and stunning explorations of sound, image, and cinematic time. Mysterious and elusive, yet possessing an aesthetic and sensory unity (appearances by Denis Lavant, Aurore Clément, and Dianna Molzan mix with direct addresses from real-life laborers and inmates), GRAY HOUSE quietly recalibrates one’s sense of the world and our place within it.
Director
The concept of an elevator to space is not new. In the world of Arthur C. Clarke, it is a natural progression. What most people don't know is that men and women around the world are working hard to build it right this moment. Some want to solve the energy crisis, some want easier access to raw materials in the solar system, and some just want to travel to space and gaze upon their home planet. For all of them though, the elevator is more than just a science fiction plot, it is a way of life. Discover what happens when egos and passions collide in a quest to build the impossible.
Producer
Tom Noonan's play-turned-film 'What Happened Was...' won the Sundance Grand Jury Prize for Best Dramatic Feature in 1994. Now, 20 years later, Noonan has returned to his roots with the SHAPE of SOMETHING SQUASHED, an independent film developed from his latest theatrical hit. It tells the story of an older 'has been' actor who is asked to participate in a read-through of a play at a legendary theater company. The production depends on the success of the read-through, but unbeknownst to the actor he is only standing in for a star playing hard to get. Each character is desperate for their world to become what they've dreamed, making this story both funny and heartbreaking in its depiction of life in, and out of, the theater.
