Sasho Simov

Filmes

Boris I - Part 2 - Word For Letters
Slavyanskiyat stareyshina
Knyaz Boris I reached the most important spiritual insight - the country needed a single language and script. It accepts students of Cyril and Methodius, creating Ohrid and Preslav Literary School. What other nations took centuries, for bulgarians takes place only about 20 years after their baptizing - introduced a Slavonic Alphabet.
Boris I - Part 1 - The Baptizing
Slavyanskiyat stareyshina
The picture features the life and deeds of Boris I - strong historic personality, which completes his mission to the full and at the end of his life receives holy orders. Prince Boris I is ruling in the late 9th century. In his youth, he, the brilliant statesman and diplomat, is experiencing heavy defeats in the wars he wages against his neighbors. Nonetheless, he manages not to cede any territories to the enemies. Under his rule, Bulgaria breaks with paganism and joins the Christian community, paying an exorbitant price, a heavy death toll, but there is no other way. The adoption of Christianity in 864 was a historical event of great significance. It guaranteed Boris I much need peace with the Eastern Roman Empire and allowed him to merge the numerous tribes inhabiting the country into a unified nationality and later to found a state. Boris I introduced the Slav script, thus turning Bulgaria into the cradle of Slav culture.
Village Correspondent
Dydo Penyo
The poor and illiterate village worker Dimo is in love with his landlord's daughter and events take their course...
Rootless Tree
Botyo
Having remained alone in his village house, old Gatyo must move in with his son and daughter-in-law in their flat in the city. They receive him with great understanding and sympathy but cannot find the key to his heart. Torn out of his natural environment and left bewilderingly rootless, this good man cannot adapt himself to the urban way of life. He does not like the mayonnaise he is offered, does not know how to use the lift. The people hurrying in the streets seem to him indifferent, and some even sly and deceitful. He sees the city as a place full of hostile people and inanimate objects. He badly misses the warm human touch of his village. Death is the only possible solution to the tragic conflict of this peasant, crucified between the archaic and the modern, and unable to adapt to the urban lifestyle.