Lin Hsin-I

Filmes

The Man Who Couldn't Leave
Screenplay
Within the walls of the former Green Island prison, political detainee A-Kuen, tells the stories of imprisonment and persecution happened in the 1950s in Taiwan. Among fellow inmates, frozen in time, he recounts his own experiences and those of his friend, A-Ching, who never made it out. Experience the time and place, and the waiting, in hope, for a chance to keep the stories alive.
Letter #69
Director of Photography
As the aftermath of World War II and the Chinese Civil War morphed into the Cold War, Taiwan was ruled under martial law from 1949 to 1987. During the height of the White Terror in the 1950s, thousands of suspected Communists and subversives were arrested; many of them simply disappeared forever. In 1993 a forgotten graveyard of 201 unclaimed victims was rediscovered at Liuzhangli on the outskirts of Taipei. Experimental filmmaker Lin Hsin-I’s Letter #69 explores the violence and injustice that still haunt Taiwan today through the letters of Shi Shui Huan, a political prisoner during the White Terror—all the way up to her last letter before being executed, a blank piece of paper.-UCLAFilm&TV
Letter #69
Editor
As the aftermath of World War II and the Chinese Civil War morphed into the Cold War, Taiwan was ruled under martial law from 1949 to 1987. During the height of the White Terror in the 1950s, thousands of suspected Communists and subversives were arrested; many of them simply disappeared forever. In 1993 a forgotten graveyard of 201 unclaimed victims was rediscovered at Liuzhangli on the outskirts of Taipei. Experimental filmmaker Lin Hsin-I’s Letter #69 explores the violence and injustice that still haunt Taiwan today through the letters of Shi Shui Huan, a political prisoner during the White Terror—all the way up to her last letter before being executed, a blank piece of paper.-UCLAFilm&TV
Letter #69
Writer
As the aftermath of World War II and the Chinese Civil War morphed into the Cold War, Taiwan was ruled under martial law from 1949 to 1987. During the height of the White Terror in the 1950s, thousands of suspected Communists and subversives were arrested; many of them simply disappeared forever. In 1993 a forgotten graveyard of 201 unclaimed victims was rediscovered at Liuzhangli on the outskirts of Taipei. Experimental filmmaker Lin Hsin-I’s Letter #69 explores the violence and injustice that still haunt Taiwan today through the letters of Shi Shui Huan, a political prisoner during the White Terror—all the way up to her last letter before being executed, a blank piece of paper.-UCLAFilm&TV
Letter #69
Director
As the aftermath of World War II and the Chinese Civil War morphed into the Cold War, Taiwan was ruled under martial law from 1949 to 1987. During the height of the White Terror in the 1950s, thousands of suspected Communists and subversives were arrested; many of them simply disappeared forever. In 1993 a forgotten graveyard of 201 unclaimed victims was rediscovered at Liuzhangli on the outskirts of Taipei. Experimental filmmaker Lin Hsin-I’s Letter #69 explores the violence and injustice that still haunt Taiwan today through the letters of Shi Shui Huan, a political prisoner during the White Terror—all the way up to her last letter before being executed, a blank piece of paper.-UCLAFilm&TV
3 Islands
Director
3 Islands’ documentary images try to shift from literary writings to the actual fixing of body-scene. Adopting literatures as well as the personal research and practices of artists as scripts, parallel with reversible movements of the flesh, the work recounts the unknown history and the symptomatic interpretations of the 3 islands of East Asia—Taiwan, Okinawa, and Jeju Island.