Laurindo Almeida

Created as a demonstration of multi-disciplinary thinking, this film was produced in association with UCLA Mathematics professor, Ray Redheffer. With the exclusive use of storytelling through animation this lively and exuberant presentation of the “architecture of algebra,” the film explains the behavior of specific exponents and concludes with the general laws that all exponential expressions obey – all achieved without the use of narration. Council on International Non-Theatrical Events (C.I.N.E.) Gold Eagle Award, 1975. Columbus International Film Festival Bronze Chris Plaque Award-C, 1975. New York International Animation Festival Bronze Praexinoscope Award, 1975. Melbourne Film Festival Selected for Participation, 1976.

The Eames design philosophy presented in the form of a series of questions posed by a curator at the Louvre and answered by Charles Eames.

Death takes a human form and visits Earth to try to find out why humans want so desperately to cling to life. He unexpectedly falls in love with a beautiful young woman.

Vineyard owner Randy Minola becomes captivated by the worldly Edella, much to the chagrin of his girlfriend Winnie.

After getting out of prison, a Latino criminal tries to go straight.

An old man and a young boy who live in the southeastern Mississippi swamps are brought together by the love of a dog.

Esther Blodgett (Judy Garland) é uma sonhadora artista que deseja se tornar uma grande estrela do cinema americano. Seu sonho se torna realidade quando ela conhece o astro de Hollywood Norman Maine, e os dois se apaixonam. Depois de um tempo, eles se casam, e a carreira de Esther começa realmente a decolar, e ela passa a ser chamada pelo nome artístico de Vicky Lester. Só que enquanto sua fama aumenta, seu marido está cada vez mais decadente e afundado no álcool, o que começa a abalar a carreira da esposa. Segunda versão da clássica história e primeiro filme colorido do diretor George Cukor.